Volker Schlöndorff transposes Bertolt Brecht’s late-expressionist work to latter-day 1969. Poet and anarchist Baal lives in an attic and reads his poems to cab drivers. At first feted and later rejected by bourgeois society, Baal roams through forests and along motorways, greedy for schnapps, cigarettes, women and men: ‘You have to let out the beast, let him out into the sunlight.’ After impregnating a young actress he soon comes to regard her as a millstone round his neck. He stabs a friend to death and dies alone. ‘You are useless, mangy and wild, you beast, you crawl through the lowest boughs of the tree.’
The film takes youthful impetuousness and hatred of oppression as its subject and also ponders the cult of genius and sexual morals. Rainer Werner Fassbinder simultaneously plays both Baal and himself and is surrounded by many actors who were later to perform in his own films. After the film was broadcast on West German television, Brecht’s widow Helene Weigel prohibited any further screenings, arguing that the social circumstances engendering Baal’s rebelliousness had not been adequately explained.
越看越怀疑自己是不是真的d**dy issue…对着神父有一些个想法实在是罪过罪过(但特么真的是太帅了!!!,最后居然是父女上帝恶魔掰头局,好希望有第二部球球了!
后半部分该拍详细一点的,拉到两个半小时差不多
哪怕改一个情节就可以不用那么那么俗气的 但仍旧这么俗气地完成了
梵蒂冈看完估计得炸锅,温子仁看完会流泪
驱魔变得像是在比谁嗓门大。。如果坚持不交易会怎样呢?最后倒是非常非常惊喜,难道有续作?
一句话概括完剧情:这是个不听绑匪的就撕票的故事。
🌟一顆星給妝髮,沒了。
我命令你從她身體里離開⋯你進來我就離開⋯
景色与调色都挺舒服的给个一星~故事就简单平淡了点~给个一星~LAST隔离日
好久没看这种片子了 电梯和酒店那两段看得我….
魔鬼给上帝驱魔…反常规的设定还不错,但是还是找了速看,因为恐怖点太低级
物理驱魔可还行⊙▽⊙概念不错,剧情不足以支撑,有点无聊
男主演技代入感不强,女主🉑。我也想看一看正面有多让人惊叹,咳咳……
...
交易或能解燃眉,被恶寄生谁胜败。
消磨时间看看挺好的,不用动脑子,完美大结局,你好我好大家好~男主真的蛮帅的,哈哈哈哈哈
你离上帝有多近 就离魔鬼有多近
制作精良的驱魔电影,很多镜头超级恐怖,非常值得一看
扯犊子,这么一个被上帝附身的牧师,连续嘴炮battle都没输,魔鬼一谈条件就同意了。。。我来教教这个牧师,成年人是不做选择的,都要好吗?
意外的还不错,台本还是蛮精彩的,职场小剧迷人之处都点到了
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