Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
queerbaiting 鄙视之 我愿者上钩了 鄙视自己
从节奏到剧情，基本是对原作的重现。
"这世界上没有比爱更扭曲的诅咒了。"
战斗依然炫酷，但结束的有点太突然了，一种推向高潮又戛然而止的感觉
我们可是纯！爱！战！神！还以为里香会送优太他讨厌的人的手指结果竟然真的是戒指 未免太阳间了点！禅院学姐从开始到未来一直带小孩好辛苦 看到狗卷前辈我脑海已经开始自动播放“宝娟 我的嗓子”（大雾）
除了纯爱战神那一段有点cheesy整体是很好看的 竟然在电影院遇到了那么多宅男宅女
“要多保重哦，不要太早来找我哦”有被戳
Come back. Come back to me.｜21.12.24 なんばTOHO
我们是纯爱 那我就是大义 哈哈哈哈可笑死我了
二年组最高！乙骨的这是纯爱和五条的我唯一的亲友太戳泪点了！纯爱组两次记录出现都太帅了！
里香好像毒液啊……哈哈哈哈哈哈哈哈纯爱战神…哈哈哈哈哈…看了个4k修复60帧14G的糊清有地方没字幕还有地方音画不同步还没彩蛋的版本，抓狂ing
mappa牛逼！！真是忙碌周末的一点点小开心还搞得我开始补平漫画了！
很好的动画化了漫画的原剧情，但不能算是一部好电影。
乙骨的纯爱线友情线还行，但也就是个有始有终的程度。师生线，老师的友情，和最后大战…… ？……可能英文字幕也有影响吧😅
#澳门英皇戏院#『没有比爱更扭曲的诅咒了』纯爱无敌啊！！！终于知道了乙骨忧太、百鬼夜行的故事了！有点感动！
爱是最扭曲的诅咒；制作不错，剧情似曾相识，才后知后觉与原作相同，毕竟第一次看也是4、5年前的事了；意外地发现原来女生很哈这部（汗颜
3/20/2022 日本动画电影在美国真的很有市场。没看过漫画也没看过剧版，但不影响理解电影情节。中二热血又感人，连反派都是理想主义者的世界真可爱啊。除了Yuta入学时的对话过于日漫套路，后面都还不错，中二感和谐融入情节。推荐在大屏幕上看动画电影，在画面上是有巨大优势的。//正在看，居然很多人看。
补标 比起正片更喜欢纯爱战士的故事！是好看成熟的商业电影了
哈利波特、火影、JoJo、EVA、陰陽師，與及所有日式純愛動畫雜交後誕生出來的胎兒。
大夸特夸战斗画面和音乐的配合，好爱我太爱了。我好怕纯爱战神觉醒以后空中一个巨大粉色爱心蘑菇云，还好还好
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