Michael Hanake meets the Blair Witch Project in Kim Gok's Exhausted, a vicious kick in the pants to everyone in the audience, all in the name of "style." A man meets a mute woman, and as any reasonable person would do in such a situation, makes her his prostitute. But the pimping is the least of our problems. As we get exhausted by the grainy faux-16mm camerawork, the film gets increasingly deranged. The closest thing we get to a sympathetic character is the pimp, simply because he's got too much self-respect to fuck a mute whore. Everyone else is either a gory mess, or a gory mess in disguise. Even the prostitute, which even a thug like Lars von Trier would make likeable, comes off as a delirious scary woman whose shrieks strike like blows to the jugular.
Kim Gok has seemingly abandoned the Marxist critiques of his short films, going instead for mindless brutality which culminates in an endless bloody freak-show involving, among other things, a pair of scissors going where pairs of scissors should not go. In the middle of the bloodbath, we get an extended long take of the beaten prostitute's near-dead face, but it does not elicit sympathy or pity. In fact, images of the victim only make us shy away in shock. (Indeed, the extended sequence led to continuous walk-outs during the Pusan screening.) The long take invites us to stare, but it assumes we're as sadistic as the victimizer (and the film) is. Meanwhile the sound-effects (mostly a rumbling bassline that shakes the theater) pulsates with pure wickedness. With Hanake, shock creates reflection, which asks that we be critical. Here, we only want to escape. I suppose Exhausted has some virtues; the shots of drilling machines and factories provide a mesmerizing phallic backdrop to the pimp and prostitute's pursuits. But everything else hurts too much. At least Kim Ki-duk lets us breathe. Exhausted makes Bad Guy look like Lady and the Tramp. (asiaarts.ucla.edu)
不可结缘 徒增寂寞 以前看是温柔 年纪大了看 故事的本核是悲伤
每到结尾音乐响起总是情感随之荡漾。
惯性给的五星，这次其实没有之前那么深的感动。还是期待接下来的新篇。
中国大银幕上太稀缺的城市电影（人物、故事和情感都与城市融为一体），通过女性视角去展现属于成年人的两性情感关系，虽然是小人物、小情调，但蕴含着极大的生活能量。作为爱情轻喜剧商业片来看又比很多同类影片（无论中外）多了一丝灵动，这得益于导演的一些调度小心思为影片质感做了有效提升。今年小荧屏上有《爱很美味》，大银幕上有《爱情神话》，国产爱情喜剧影视作品也算是功德圆满了。
“永远屈服于温柔”用在夏目友人帐真是太合适了吧
一个真心待友的瘦弱高中生
（只是《石起こし》《怪しき来訪者》两集TV版而已，算不算在圈钱？没啥特别的，还是岁月静好。）
本来以为是剧场版，后来发现是两个单独的小故事。可是一如既往的好哭，两篇温暖治愈小故事 夏目身边的朋友都好温柔啊。
上海，对于离婚和不婚的女性是天堂，对于想要结婚的女性是地狱。
两个小故事的合辑。《石起》部分一直期待小妖怪变强的反转，但还是以夏目式的温馨结束，其实也是对的，因为它本身就是弱小但内心强大。《可疑访客》居然讲三笹，田沼的这个故事其实必然发生，作为有灵力却不能见到妖怪的人，多少会对朋友嫉妒或自卑，安排了一个三笹的故事来映衬，也让田沼终于与唯一能见的鱼塘幻影有更深的接触，这样很好。
越来越敷衍了，剧情也是看过转头就忘那种，就两集剧集的长度拼拼凑凑也好意思叫剧场版，除了卖情怀还剩下什么？
Sa shi bu li，水管开关。这个故事呢，没啥好评的，也没啥好比的，喜欢的人只是希望它永远讲下去。三筱君有点帅哦，然后这次的片尾曲是迄今为止最特别的风格。但一如既往的好听呀。
不可结缘 徒增寂寞 以前看是温柔 年纪大了看 故事的本核是悲伤
虽然是一个简单的得到任务要坚守任务去完成的故事，挺温馨的。。。治愈，对得起自己的使命
没想到在2021年还能看到夏目友人帐！喜欢安静的讲述着每一个故事，会想起以往夏天的时候，观看夏目的自己，正值午后，窗边阳光照耀进来，安静，安心，温暖，很开心！！
还是熟悉的味道，还是熟悉的妖怪们，怎么觉得三三又胖啦…哈哈哈哈！此生无悔入夏目，来世愿做帐中妖！
什么时候再出下一季啊，现在的剧场版都是简单的小故事。
虽然依然是夏天的味道，但是这两集确实略水啊，故事脚本很一般，不过看到三蓧的人形态已经满足了。确实，热闹有时也不一定代表充实呢。
这个平安夜过的很开心
可疑来访者比石起好一些，总体上算是一般吧。
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