This is an interesting yet bizarre little tale of a fictional (as far as I know, anyway) experiment performed during the Stalin-controlled years in the USSR. The main character is changed from a woman into a man. This is part of a larger plan to change more women into men and have a stronger work-force/army, etc. It's a very in-depth character study of the main character, who tries to fit into a world that she (now 'he') doesn't really understand, especially since she's now a man ... Stalin dislikes the results of the experiments and has the scientist killed. The main character then goes off to live a life as a simple, unknown everyday Soviet, but is inexplicably drawn into larger and larger schemes (somewhat reminiscent of "Forrest Gump" in that way). (s)He has run-ins with different important characters, including his ex-boyfriend from his days of being a woman, as well as going on a demented quest for the nurse with whom he possibly fell in love after the operation... However, he is trapped in his life as an important Soviet married man, and in the end makes a huge sacrifice for his country (unwillingly), and the movie goes from there to an ending that is possibly happy, yet still somehow incredibly depressing.
女主演技在线，，在网大里很不错了，剧情也在线。
前面恐怖氛围很到位，但实际没有什么恐怖情节，结局很感人
浪费我一个多小时，很简单的民间奇谭，就是要拍的硬伤一大堆，也不要说什么小成本了，七八十年代邵氏的恐怖片也能把故事讲的很好，电影好不好从来都不是靠特效的，剧本硬伤一堆。
虽然是儿童向，但是儿童看又太恐怖。成人看又太幼稚，不知道它存在的意义了
邪恶女巫是导演么 每天要找男主要剧本素材
反转再反转，不错。很多的场景就是童年梦想，很好。就是最后有点崩，可能时长不够了。真想像小男孩一样醉心于自己喜欢的文体，笔耕不辍，在自己的故事里汲取力量
惊悚？？？？？？恐怖片就是每个人莫名其妙，然后找莫名其妙的理由！
2022.5.10 隔离第2天 因为男主是奥马·希，又是破案的类型，所以很感兴趣。但是剧情比较简单，两人的对戏也没有多搞笑，镜头让人头晕目眩，总体就是一般的搞笑破案电影。还是亚森罗宾的剧情节奏爽，会有第三季吗？
想起来了，这女巫不是pinkman的女友吗
所有场景 颜色 道具 背音 都很好
哈哈哈全片都蛮好笑的，把两个男主看成闹别扭的情侣就没有违和感了。
比起第一部整体有进步 故事更完整了 但是恐怖效果有点打折扣 如果真的有水怪观赏性更高 演员都不错 没有很拉 如果出3 会继续支持
各种标签…以及太冗长了…唯一高光部分是开着悍马在抄近路追逐那一段…
人们只会相信它们看到的不顾一切去按自己认为的做。
能不能留点童年的美好，因为吊桥效应两个孩子渐生情愫？？编剧是真的龌龊
有点类似 怪奇物语的风格 但是不如怪奇物语饱满
一开始的时候觉着网络电影的海报仿用了《水形物语》的色调。没太感兴趣，朋友推荐看过以后感觉真不错~90年代老旧电影的胶片风格，剧情人物都皆有可观之处，可惜收尾剧情还是略有些免不了俗~国产K怖片里算是比较难得~
整个电影出场不超20个人😳
这女巫不是绝命毒师里面的jane吗！另外穿山甲说了什么？
一星半，金玉其外，被风格化的影像填补，但本质上仍是充斥着青少年狗血drama和内卷现状的职场青春肥皂剧，这种剧本质量是无论怎么包装都很难产生价值的，所以只能停留在对各种元素和其它电影生搬硬套的阶段，因此芭蕾只能作为符号，从内到外都与其无关。
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