Ten years ago, Ginny (Toni Gonzaga), an Architecture student, and Marco (Piolo Pascual), a History professor, began a one-of-a-kind and unpredictable love story. In the five years that they were together, they brought out the best in each other, which included Marco's unrealized dream of becoming a chef. Together, they worked towards their dream of opening up a restaurant, but when Ginny realized her own pursuits were different from his, she rejected his wedding proposal and left the country for a Masters degree in Architecture. At present, Ginny co-owns a one-stop Architecture and Interior Design firm specializing in Restoration. She receives an email from Marco, which was written and sent after their break-up, meant to be read four years later. It makes her feel even more regretful of leaving the love of her life. When their firm receives an offer to restore an old house into a restaurant, she is ecstatic to learn that Marco will be co-owning the restaurant. She takes this as a sign...
黄正民的演技秀，但还不如不用黄正民演黄正民。反派适合找个气场更强的能接得住黄正民戏的大演员。整体看下来很无趣，只有黄正民的演技能看一看了
“这里给男主加一场十五分钟的打戏”
这出戏真的就是纯冲着黄政民去看的，因为别的都很乏善可陈…黄政民xi演的黄政民倒是趣味多多，看得出来整个角色都是过往黄xi的embodiment啦，在五十代的时候选择这个本子的演员黄政民顶着真名上也很有想法。朴演员的cameo其实蛮好笑的哈哈哈，尤其是每逢出场必来的hey brother
最后一幕看的我也想蓄胡了
三星是黄政民粉丝滤镜。
冲着黄政民看这部翻拍片的。有些地方太过了，有些地方不够到位。还是原版好！
居然以真人名字出演，还玩了好多《新世界》的梗，不过黄政民大叔演技还是在线的
要是没有黄政民，这一票绑匪和警察能把人蠢哭。
唉，c罩杯领盒饭领得太早了。这电影跟解酒吾先生比真是差的太多了
黄叔solo单曲，所有的剧情、角色都是给黄政民服务，总结一个字：牛逼！
一般都是国内翻拍拍不好韩国的，这次反过来了！情节到演技都是国内版本完胜
要是没有黄政民，这一票绑匪和警察能把人蠢哭。
被绑架女孩的发型。
本以为韩版改编 会在这种他们擅长的类型上添加气氛 可惜全无 还不如吾先生 剧中黄政民的设定也有问题 最后收尾更是有点故弄玄虚 失望了
真不明白这几个小瘪三绑匪是怎么有胆量绑架明星的？ 加一星给老黄哈哈
绑架，内讧，被抓，除了看看表演，其他真的乏善可陈。
即使是黄政民也救不了这电影，翻牌的太扯了。
遇到找你合影的人，友善一点。如果你是个明星的话。另外，韩国警察啊，一如既往的窝囊。
代入感极差，私生饭要求政民念台词，阿西吧累～，原版珠玉在前，叙事节奏流畅各方面的优点，在翻拍这里都没有，反派缺个“余皑磊”式的人物。
解救吾先生的本子在韩国人的鬼斧神工下被改的充满了戏剧性和荒谬感，当我看到咬舌自尽这种桥段真实的出现在荧幕上的时候就知道这部片子好不到哪里去。唯一值得称赞的，就是黄政民的演技，即使在那么浮夸的本子下也值得说道。
Copyright © 2015-2023 All Rights Reserved
