David, now an old man, is still king of Israel. Among his sons, the ambitious Adonijah and the clever Solomon. The two young men are fierce rivals, since both are prospective heirs to the throne and only one can be successful. During a hunting expedition, Adonijah challenges his younger brother Solomon to a chariot race. While Solomon, though brave, still retains a modicum of caution, the daredevil Adonijah is eager to win at all costs -- and loses control of his chariot. Solomon takes the seriously injured Adonijah back to Jerusalem. On the way there they meet the attractive Abishag, who despite her youth is versed in the use of healing herbs. She actually succeeds in helping the prince. Adonijah falls in love with Abishag -- but Bathsheba arranges things so that she works for David, hoping that her youth, her beauty and her healing powers will soothe the old king's suffering. Several members of the influential priesthood and also the respected army general Joab, who served David loyally for many years, support Adonijah's claim to the throne-- even though David has still not made any decision with regard to a potential successor. The battle-experienced Joab regards Solomon as an indecisive weakling, under whose leadership the kingdom would soon fall apart. When the prophet Nathan finds out about Adonijah's conspiracy he informs Bathsheba and Solomon, who urge David to take immediate action. And so it comes to pass that preparations to anoint the future king of Israel are made both at the Spring of Enrogel, where Adonijah and his men are encamped, as well as in Jerusalem. The festive procession for Adonijah has already been assembled and the people enticed with delicious delicacies to cheer him on, when the news of Solomon's coronation reaches Enrogel. The people promptly acknowledge the will of King David and stream off to Jerusalem in their hordes to greet Solomon, their future ruler. Adonijah remains behind with a handful of loyal followers. He realizes that he has lost -- for the time being. Humbly he places his life in his brother's hands. Adonijah is forgiven on one condition: that he always remains loyal to his brother Solomon. The great King David is dead, and his son Solomon has succeeded him as the rightful ruler of Israel. Adonijah now has a request to make of Bathsheba: he wants to marry Abishag. Solomon hears about this seemingly innocent wish, and recognizes it as a renewed ploy on behalf of his brother to reclaim the throne -- Adonijah's marriage to the last woman to share King David's bed would strengthen his political position considerably. Solomon knows that he has to act quickly and decisively if he is to secure his own power. He has his brother Adonijah and the latter's closest associate Joab executed. After this radical decision, Solomon withdraws to present sacrifices. In a dream the Lord appears to him and grants him the fulfillment of a wish, whatever it may be. Solomon merely asks for wisdom -- in order to become a good ruler and judge. War with Egypt is looming. To arm his kingdom against the territorial ambitions of its powerful neighbors, Solomon not only introduces several reforms but also decides to marry the daughter of the pharaoh. The Egyptian princess does not remain Solomon's only wife, however: as time goes by the king marries numerous noble women from many different countries for political and economic reasons. In this way he preserves peace for his people, and creates great prosperity. By allowing the women to continue practicing their domestic customs and religious rituals in Jerusalem as well, he comes into regular conflict with the priesthood, who see the foreign religions as endangering Israel's sole covenant with the Lord. The wisdom granted to Solomon by God becomes fully evident when the king sits in judgment. One day two harlots each claim to be mother of the same baby. Solomon's decision seems utterly cruel: he says that the child should be cut in two so that each woman receives half. Solomon can now determine who the real mother is from her reaction: she will not allow her child to be harmed. Solomon hands the child back to its true mother amid cheers of approval. One of the most important tasks handed down to Solomon by his father David is building the great Temple to house the Ark of the Covenant. It has to be larger and more magnificent than all other temples in the world, and Solomon now sets about fulfilling his father's wish. He places Jeroboam in charge of the Israelite workers as chief overseer. Seven years later, the work is completed. The expensive construction materials have been brought from far-off lands, and the people of Israel have paid exceedingly high taxes without complaint in order to finance the construction work. The Ark of the Covenant can now finally be taken to the Temple in a triumphant procession. After so many years of wandering, the Israelites' most sacred possession now has a fixed home of its own. People stream to Jerusalem from across the entire country to celebrate the great day. Abishag, now married, comes too and brings her family. Solomon has decided to mingle among the people in disguise, and he and Abishag are overjoyed when they accidentally meet again after so many years. The Temple makes Jerusalem and its king famous throughout the world. Even the dark-skinned Queen of Sheba sets off with a large retinue to visit the wise and cultivated Solomon and admire his magnificent city. The admiration turns out to be mutual: Solomon, captivated by her beauty, falls deeply in love with her. The two of them have a child, Menelik, but one day the Queen of Sheba decides to leave. She does not want Menelik to be deprived of the regal dignity awaiting him in his home country. Solomon stays behind, with a heavy heart. The king has now achieved everything he set his heart on, but with the passing of the years the wise Solomon gradually becomes a melancholy, skeptical old man who regularly questions his very existence. Material things seem to represent the only reality for him. He also refuses to adopt any kind of steady policy, especially in religious matters. With his foreign wives, Solomon sacrifices to foreign gods, and this incurs the wrath of the priesthood. The loyal Jeroboam appeals to his king's conscience, but to no avail. During one of Solomon's sorties in disguise among his people, a simple farmer reminds him of the first of the Ten Commandments revealed by the Lord to Moses: "You shall have no other gods before me." At another decisive moment, God Himself speaks to Solomon and announces the punishment for his sinfulness: the kingdom will collapse after Solomon's death. The king has grown old and weary. He has lost touch with the people of Israel, who are suffering from heavy taxation and forced labor. Solomon has treated his long-standing companion Jeroboam, to whom he entrusted the administration of the northern tribes, with murderous anger ever since a prophet predicted the division of the kingdom to him. The king no longer has the strength to change things -- he just leaves them as they are. The consequences of this become clear shortly after his death. Solomon's son and successor Rehoboam treats the country's leaders with arrogance, and provokes the division of the kingdom into two parts: the only tribe still loyal to him is that of Judah, while all the others unite under Jeroboam. The prophecy has been fulfilled. The kingdom that Solomon received from his father David, and invested with such might and magnificence, is now divided.
看到最后又梦回《少年的你》，老实说这两个相比真的是一个天堂一个炼狱啊。（为什么不说“地狱”，主要是用“地狱”一词真的不太合适啊。）
真实、新潮、细腻，意犹未尽的观影体验，后劲很强，不知道该怎么夸了，只能冲动打五星表达心情（或许第二天醒来会恢复冷静）！全片最喜欢男主送女主的生日礼物，《拥抱》电音版响起时让《盛夏未来》在国产青春片里瞬间清新脱俗，它真的有在好好讲少女少年的故事，Ming的性别不重要，ta是我们曾经憧憬却得不到的人，如何放置一段明知没有结局的感情才是电影想表达的，同样地也不要赋予一个亲吻太单一的寓意，在音乐的催化下情绪一团涌上来时行为便失去了它本身的意义，无人能说清，身体只能跟着本能和感觉走，这种暧昧又夹杂着迷茫和试探的亲密接触不正是躁动青春期的内心写照吗？
超出预期，久违地感受到了以前台湾青春片表现出来的那种错位和迷茫。预告和宣传方向几乎是诈骗水准，正片完全不是那么回事。虽然有着熟悉的所有青春片狗血元素，却拼出了个与那些妖艳贱货不一样的故事，有笑有泪有成长，暑假档终于有能看的了。尤其喜欢妹妹的线，从青春的勇敢，到放下释怀，再到自救的那段蒙太奇着实戳中了我，弟弟也终于遇到了个符合年纪符合形象的角色，两人朦胧中又点到即止的火花为片子增色不少。然而争议的部分，个人觉得并不重要，无论Ming是男是女都没有关系，但更倾向于那是精神向往的具象化体现，是青春里那种遥不可及却终有一天不得不放下的象征。“如果此时此刻，你喜欢的人也喜欢你，那就是未来。”但不喜欢也没关系，你可以选择诚实面对自己。爱就是爱，不爱就是不爱，爱而不得也不一定是种悲哀，因为未来总会有盛夏。
人物分裂。开头妹妹因为知道爸妈离婚而跳游泳池而放弃高考，中间就可以和同学一起看着妈妈和祖峰约会配音开玩笑了？一个爱ming如命的gay全程疯狂撩妹最后还跟人亲嘴？这剧本写完了怎么说服自己拿出来给人拍的。另外没有看不起dj的意思，但价值观真挺没劲的，拉倒吧。“我最讨厌青春电影，我也是！”现在我也是了
第一，男主是男同也能叫bg之光？拍bl就拍bl，拍bg就拍bg，两边各有各的受众，尊重任何的性取向。但是这个剧情里男同男主亲女主一下说要是我能喜欢你就好了，是什么意思？
和ming是男是女 宣传诈不诈骗没关系 我本人最大的雷点就是 所有写出故意把高考考砸或者不去考这种剧情的编剧都是制杖
超出预期，久违地感受到了以前台湾青春片表现出来的那种错位和迷茫。预告和宣传方向几乎是诈骗水准，正片完全不是那么回事。虽然有着熟悉的所有青春片狗血元素，却拼出了个与那些妖艳贱货不一样的故事，有笑有泪有成长，暑假档终于有能看的了。尤其喜欢妹妹的线，从青春的勇敢，到放下释怀，再到自救的那段蒙太奇着实戳中了我，弟弟也终于遇到了个符合年纪符合形象的角色，两人朦胧中又点到即止的火花为片子增色不少。然而争议的部分，个人觉得并不重要，无论Ming是男是女都没有关系，但更倾向于那是精神向往的具象化体现，是青春里那种遥不可及却终有一天不得不放下的象征。“如果此时此刻，你喜欢的人也喜欢你，那就是未来。”但不喜欢也没关系，你可以选择诚实面对自己。爱就是爱，不爱就是不爱，爱而不得也不一定是种悲哀，因为未来总会有盛夏。
厦门和三亚很适合这个夏天的故事 跨年烟花下的这一吻太给人慰藉了 很少能在影视剧里看到这么干净 毫无情色意味的吻 两个人的遗憾与释然 对彼此的理解和祝愿 全在这一吻里了 举重若轻
只能说我看错了电影。活到这个年纪已经不需要花两个小时知道“我们需要接受喜欢的人不喜欢自己这个事实”。
看完这电影好伤心啊，比我自己失恋了还要伤心。
网抑云电影，总在试图甩脱陈词滥调的滞重但最终还是把镜头推了上去，所以没那么当下也肯定不算陈旧。剪辑点所透露出的游移和不自信才是最情绪化的，它很清楚自己是一部不能够那么勇敢的电影，它也努力地在找寻一个不用那么勇敢的方式，并且最重要的是，为此感到自责。
看恐同瓣女短评区跳脚是很快乐。左耳的助听器、从未出现的人称代词she基本可以算作一种隐秘的抵抗。向父权制怒目而视，眼泪只为爱人而流
“最好国产青春片之一”，嗯嗯你们也真好意思吹
预告里说好了是甜甜恋爱 变到正片里成了直女苦恋男同 就好像你买了老婆饼说好了还送你一个老婆 结果买了发现送你的是纸片人老婆 气的只想退钱！！
陈正道的心思真是藏在他的每一部作品里。
轻盈是全片最自发的气质，也是让它显得尤为珍贵的美德。成人世界就在隔壁，妈妈在阳台上趿拉着拖鞋剥龙眼，她身上尴尬的等待散发着闷热和潮湿；班主任歇斯底里地撞响警铃，一声父权的巴掌呕出了蜕变的阵痛，孩子们目睹许多丑态，却不知道这只是一个更丑陋的怪兽到来以先的预告；陈辰怀着恐惧踏进夜店，显然她还没有学会欲望和放纵，未知晓这是哪个世界的后花园。这些庞大的存在划过少女的耳边，却没有让她的悲伤沾染上滞涩和沉重。她的吻像水一样，从灯管和噪声中浮了起来，踩了个空，只碰上自己的倒影，她的忧郁便沉了下去，只是许愿，我们该对自己更加真实：于是便任由几场既是反叛又是成长的儿戏。越是放任心事去胡闹和旅行，也越是离危险和撒手更近一步。蓝色的海集结了释放和惆怅，更是人物和电影双双的无知，不向世界索要什么，这让我们感到幸福。
看了《燃野》，再看完《盛夏》，想到马上上映的汉化版《扑水少年》......我已经对国产青春片不抱任何希望了。
3.5分。相隔10多年的这部《盛夏未来》不太像是《盛夏光年》的续集，反而更像是《蓝色大门》的性转版。当然，作为长期在大陆拍片的陈正道，他对这种题材的处理相当谨慎，模糊男主角前度的性别，巧妙转移了敏感的关注点，将青春成长故事的落脚点放在“勇敢面对自己”与抽象的“未来”上面。这种做法显然在保持原有剧作内涵的基础上，更符合当下Z世代的口味。另一个出色之处在于准确捕捉了当下网络时代的特点，利用短视频、社交媒体、手机直播等的表现力，传达出年轻一代豁达开放的思想和表达方式。引入电音的话题有替某音乐节打广告的嫌疑，不过这种商业植入的手段恰好又强调了主题中关于“未来”的憧憬，可谓一箭双雕。
3.5；很神奇，那些指称影片营销诈骗、消费LGBT、利用女性的人，多是惯于被线性逻辑和判断支配的成年观众，而凡是有过青春期各种朦胧探索和纠结体验的个体，大概都不难读出陈正道在字幕最后埋下的答案：关于诚实和勇敢面对自我。有了这样的立足点，自然不难理解片中主人公设定，和那个看似突兀的吻。尽管如此汹涌后劲之上，那些流于表面工巧的部分（运用廉价的电音元素，从日常到戏剧性的情节跳跃和解函数题）都导致了影像成色虽如预想中舒服，但和《蓝色大门》什么比起来总归差了一截。如果放到另个时空下，这个故事摊开来讲，应该能打动更多人过早枯死的内心。其实最大的bug，还是一个怀抱DJ梦的抖音网红能保持如此清爽明净的少年感，搁在现实中我会立马下头，哪怕他是三石也不行。
在所有关于遗憾的青春片里，《盛夏未来》是态度最轻松的一部。片中的两位主角调侃“我最不喜欢青春片”，“我也是”，也许就是因为绝大部分青春片都把遗憾说得那么美，那么绚烂，那么刻苦铭心，而《盛夏未来》告诉我们，遗憾其实是一件经常发生的事情，不必太在意。
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