Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
个人感觉比这两年很多火爆的动画电影都要好！故事是很简单的故事，但是很完整没有瑕疵。人物真实又很可爱，虎墩和师傅的转变都有逻辑不生硬。看完的感受就是一个字：温暖。ᵎ(•̀㉨•́)و ̑̑
滑冰深入敌后的想法还挺棒的，不过剧情比较弱，背景也交待不清楚。
女主的角色。确实让人唏嘘。但总还是有些地方没讲清楚，譬如为什么上尉一开始带女主去那里？他们路上遇到的老夫妻究竟是什么人？
背景、任务、动机、设定都不够完善，故事讲的有些乏味和单薄。不过一些小细节描述得很好，如冰面下的尸体、木屋中的老人，冻伤的手脚。女主的坚韧感和破碎感，行动六人演绎的都不错
啊……这……我想了好久，也不知道这片子有任何亮点……唯一的亮点算是还没开评分……之前还嫌弃人家拼盘不开，现在……em，不过这片子怕是也要赔的底掉啊，给四星吧，算是给国产动画电影加油吧……那，还有什么要说的呢，片尾曲还没完……嗯，完了，
比较差 大反派的动机很迷 公路片很偷懒 建模很粗糙 各方面都比较差 国产动画比较难 所以多给一颗星
圣母无敌，在圣母面前，其他人的性命不值一提，圣母高兴就好
定位不太准确，对幼儿来说太成熟说教了，对大点的孩子来说又老套了些。2D比3D好。少些网络用语吧，有些出戏。
主角的行动逻辑只有一个，什么对女儿有利选什么。
比较差 大反派的动机很迷 公路片很偷懒 建模很粗糙 各方面都比较差 国产动画比较难 所以多给一颗星
除了戰爭的背景交代的比較馬虎之外，其實還是蠻好看的。
画面氛围非常出色，但却揭示了一可怕的规律，母爱天性，权利也是天性，为此可以带来毁灭。本来是给五星的，因为电影是在歌颂一个可怕的女人，母亲的觉醒是因为母爱的私愤。人类真的可以发生这种悲剧，一种摧毁人类的疫情来自各种天性的欲望。
是未来题材，却没多少未来元素，感觉是“二战”场景。
前半部分还不错，尤其是冰上行动的部分，后面有点太浅白了
随便看看也还行 不影响观影 又搞笑 又夸张
到底在干什么啊……编剧能不能好好自圆其说一下啊……一开始我以为是科幻片，后来以为是灾难片，结果是温情家庭片…这是为了什么呀……冰天雪地那些剧情拍的还行，想去北极圈看极光了…
周星驰的装扮，周星驰的梗，故事非常平淡，没啥意思。
叙事和主题都有点扯，但是开发出“滑冰+射击”类似“冬季两项”（滑雪+射击）的动作戏创意还不错，可惜没重点经营这部分，不够爽。
小虎墩的形象设计很成功，故事则有一点像《功夫熊猫》。因为是非神话原创，所以需要支持一下！
过程可以更激烈些 要不然我觉得难度也不是很高啊
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