With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
所有演员的演技都没在这部体现出来。没看过第一部。姜河那➕李光洙装疯卖傻。吴世勋前期宣传很好，但是看了电影就纯纯打酱油的？还有莫名其妙的感情线？？？？韩孝周的美貌在这部完全没体现出来，外加莫名其妙的感情戏，真的看得很混乱。不知道编剧表达了个啥。是什么傻人有傻福的剧情吗？一分给演员阵容吧。
冲着李光洙来看，然而又拖沓又尬，企鹅也是挺莫名其妙的
要不然冲着主演，鬼才会看这个要剧情没剧情，要特效没特效的破烂
2022 美国电影 奇幻 动作 乔伊·金 吴青芸
【道具/布景/细节】：5.6
即使服化道再精细，特效再逼真，美帝这几十年来的青少年电影始终摆脱不了演技浮夸剧情弱智的标签
比预期的好些~另外如果公主的选角再漂亮些就好了
动作戏挺好，就是敌人设定的太愚蠢了，一般吧，看个乐。
從頭打到尾，動作戲還過得去，其實蠅量級的技巧再高也打不過重量級。
我感觉有点中国武术的意思，但总感觉乱打一通，没有啥美学可言。不过从头打到尾，女主辛苦了!
要不是韩孝周那张脸，半小时都看不下去，光洙开场那尴尬的大笑差点抠出三室一厅，难道除了装疯卖傻就立不起搞笑人设了吗？
從頭打到尾，動作戲還過得去，其實蠅量級的技巧再高也打不過重量級。
特地为了这第二部看了第一部，比上一部进步很多，无论从画面、特效、剧情都有很大的进步，但比加勒比还是有点距离的。可以说是一部合格的爆米花电影。
女主丑，没啥剧情，打斗动作还算可以，但很虚，勉强5分吧
公主像《疾速追杀》里的基努，一开场戴着手铐杀了两个男人，一个人突破一群士兵的围追堵截，直到2/3之后才有她的东方女师傅帮她。最后绝地反杀那一割实在太精彩了。值得所有女孩观看。
【主题/时代/背景】：6.2
作为网剧已经很不错了，一个女子像打游戏一样完爆所有敌人
剧情一分 但是韩孝周演的角色很可爱
谁说童话故事里，公主一定要嫁给素未谋面的婚配对象，甭管骑士也好王子也好，万一他残忍、反社会呢？
剧情没咋看懂。但是权相佑的肌肉得给分，雷剑设计也很酷。
Copyright © 2015-2023 All Rights Reserved
