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A brilliant and outragously funny satire of society, 7 December 1999
Author: Dave Joerg ([email protected])
"Flodder" is one of the funniest movies ever made and few people realise that it is a Dutch movie made by none other than the Holland version of John Carpenter, the famous Dick Maas, author and director of the thriller "Amsterdamned". The Flodder family is the reincarnation of the term a-social. When the whole family bunch, basically all bastards, criminals and sluts must be relocated from their City slum because of toxic waste under their house, the city council house no choice. The only available space is in the "Zoendal" - the "Sun Valley" the best area in Amsterdam where all doctors, snobs and businessmen can afford to live their lives. And where the central point of interest and politics is the tennis club of the community. The Flodder family brings devastation to the tranquil world that ruled before. They are simply unbelievable. The characterisation is incredibly funny, beginning with Ma Flodder who searches other people's trash cans for food or making illegal liquor in her cellar and ending with the eldest daughter who is the biggest slut on earth. Together they make the most horrible family imaginable, a sort of immoral mirror image to the Brady Bunch or the Waltons. When the City counsel of Amsterdam hoped that the Flodders would show their good will to be more civilised in their new area, it turns out that Holland's most famous family would rather bring out the worst in the rich people of "Sun Valley"-wonderland. The rest is a hilarious, brilliant and well made social satire that can be watched as a provocative movie as well as a straightforward comedy. Dick Maas at his best. I salute him! Flooder was the Dutch smash hit in 1986 and brought two sequels and a tv series. All of the sequels were nice but not as great as the original.
Flodders (1986) is available on DVD in Germany in a dubbed German version in Dolby Digital 5.1. under the name:
"Flodders -Eine Familie zum knutschen"
Why is First Floor Features, the producer of the movie not bringing the Dick Maas blockbusters out on DVD in the Netherlands, I wonder. The are not even available on video there. These movies have so much potential, still to this day and have a huge silent but true following.
节奏有点缓慢，一直在慢悠悠地絮叨，演员走位上安排得过于频繁，总是那几个人在大堂里晃来晃去的，直到最后跨年前10分钟了才开始紧张起来。没有太让人印象深刻的出场或者转折。
两小时的电影，全程都是木村拓哉的帅气、长泽雅美的端庄，以及诸多大家熟悉的日剧演员们齐聚一堂，配以各种对称的镜头、华丽的运镜和激昂的音乐，真是一大享受。电影的缺点和前作类似，观察每个酒店客人面具下的真相、满足这群众生相的刁钻要求，居然比找犯人更有意思。尤其是观众如果还记得前作的诡计，那本作的犯人也不难猜了……至于最后的作案动机和大“反转”，相比华丽的假面酒店，也有点黯然失色了。当然，木村拓哉自带的和谁都能组CP的形象，还是会让观众对结局非常满意的——要不再出个续集，让酒店里再来个杀人犯？（笑）
卡司太强了！除了杀人动机很牵强 警察推理能力太菜 逻辑上很多说不通的地方之外 没有什么缺点了 🧐
不太好看 前面还行 后面很仓促很离谱 甜心果然老了，发型也不适合她，显脸胖，希望不要再拍第三部了，甜心的角色就是个固执的麻烦鬼
开场五分钟，酒店前台都能用气球遮挡广告牌了，离谱到家，第一部《假面饭店》已经够难看了，没想到还能继续往下挖掘。烂片，五分钟弃
test就测一个人，另一个完全不考，是不是太随意了啊！
好吧，我承认看不懂剧情，太复杂了，太多线了。而且，这个是系列片吗？我怎么觉得头尾都不着调啊。
一开始定位就是错误，更加错误之处是把人文思考塞进去一个为娱乐而服务的流水线生产公司。题材信息量之大，两个半小时装不下，几乎就是上古观念的「人创论」和「神创论」思考，却发现故事的根植与「神的错误」。你用《西游记》的《大闹天宫》去跟你去信Jesus的信徒来说，不仅是蹂躏它们的信仰，更加是踩踏。道理都懂，Chloe的女士的思想观怎么可能改变一个爆米花公司流水线的受众啊，自讨苦吃。
这个系列就看卡司得了，东野圭吾的原著都不怎么样，更别说电影还把嘴关键的设定改掉了。
比《假面饭店》强了那么一点点~以及石黑贤这么多年了还是这么脸谱化。
我：嫁给我吧
这个系列就是酒店宣传片吧，推理的部分好想吐槽男主都认定凶手了还非要一起跳舞，女主也是命硬的。。。
看样子是要拍成系列了，豆瓣评分和第一部惊人的一致，但是我觉得比第一部好看，集中于悬念上了。而且影片里有很多串人物关系的镜头调度都很不错，基础实用，值得学习。
这次连感情戏都这么烂 这么单薄…..弄啥勒
木村还是那个少年，麻酱已然冲着大妈奔去了。
ps最爱结尾第一幕的油画谁懂，绅士目送公主大步踏出门，开门的是两只小恶魔，可爱。
是不是没有续集了？麻酱和木村拓哉难得的cp感
给镜头调度的分数，酒店群与警部群镜头交错，最后交集在两边，以路过的职员为分界点那幕很不错，悬疑是不要追求了毕竟原作者…
臭长无聊，那个蛋糕在我看来真的很好吃不知道凶手吃没有了。
内容和推理还是很东野圭吾，很社会派。主要是真的能把服务做到这种无微不至的地步吗，向往又很怀疑，是不是表演的成分更多呢。最想吐槽的点就是搞什么测试，明知道警察在办案还要混淆视听，是不是没事找事。
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