Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
其中李炎燚老婆让人感触挺多的
“两个工作你选一个，选一个自己喜欢的。”还有就是保证身体健康。
佳佳自导自演，路边摊小品片，挺好玩，我喜欢他的那个大饼脸老婆
短小精悍，网大里的精品。笑点都整的挺好，崔志佳可以
梦想成真，很迪斯尼，我也需要个幸运尾巴，祝自己好运！
看个乐呵，还可以。
“打开心扉的大门”……请一个稍微有点文化的编剧就这么难嘛
我觉得挺好的。一，我完完整整的没有倍速的看完了。二，，中途我笑了。三至少进圆了一个故事。
比很多院线喜剧都强，挺有意思，记录我们的时代。看影评学到术语「荷兰角」，查资料说，当你在你的构图中使用斜线（道路、走廊、等公交车的队伍）, 你都是在二维电影画面中营造三维空间感。
看电影最开始的目的，一个无脑的故事，一堆无聊但是可笑的笑料，有美女，有帅哥，没有什么政治正确，没有什么使命，没有什么煽情。这，才是电影，最开始的样子。
有种小品的幽默 馕哥 哈哈哈哈 甲 乙吃辣吗
挺好看的。过程精彩。任何事情都要想办法解决。只要想办法，就会有出路。
what does a dream mean！
哈哈glee初中版诶find your light哭死我==
11.14 下午 虽然俗了点儿，但我好久没这么笑过了
能從電影中看到「食神」的一些場景，但不是每個人都是「周星馳」，模仿失敗看起來就顯得很突兀。電影的結局我以為會是，男主角和老闆說讓老爺子加入自己，自己也可以照顧他，讓老闆與老爺子和解，男主角和老爺子合夥開店。但是這個結局吧，就顯得有點奇怪。作為網大算合格吧，吃飯時候看看還是挺好的。
崔志佳的电影看过几个，编剧能力还是有的，但是不知道是不是小品看多了，怎么看怎么像个大号的小品
不过欧美有很多优秀的地方，我们要学习。
好久没移动端看电影了，还可以吧，比想象中好
小烧烤，羊肉串，烤腰子，烤鸡翅。。。烧田螺，归归归！晚上不能看。。。
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