With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
很娱乐，较低幼，各种俗套的公式都用上了，两个小时略长了。能欢乐下，也就仅此而已了。
亟需在影院宽敞的座椅上睡着、偶尔被前后左右的小朋友笑声吵醒的观影体验 @ AMC Raceway
很娱乐，较低幼，各种俗套的公式都用上了，两个小时略长了。能欢乐下，也就仅此而已了。
3.婚礼线要多余就有多多余，没必要为了政治正确加这么多布莱克吧
很有90年代香港电影的感觉，拍的也特别好，抒情不尬，剧情完整，值得高分。
“你的口气闻起来像山羊的大便……”
不比第一部更差，如果没有抱着比一部轻松的动作喜剧更多的期待，就不会失望。
诟病的地方较少，还不错。
三年后，他们幸福的在一起，在城楼上看着另一个至尊宝说，他好像狗啊
相比起前作的平庸，续集至少在特效场面上有了质的飞跃，但还是很烂，实在是不想吐槽弱智剧情了，票房高可能真的是没啥同类竞争对手，这个又很适合各年龄段一起无脑的吧
有大话的味道，我觉得蛮好的。紫霞很特别，不错。
开来是要把这个电影拍成宇宙系列，第三部最强宿命之敌-暗影，就要强势登场了！
比第一部好看！因为有tails！他真的好可爱！想抱抱他！knuckle也挺可爱的哈哈哈！不过瑞秋的婚礼尬戏可以再减一点。
20年影院复工时看第一部时，杭州的那个影院空荡荡地，只有我一个人看，所以第一部里索尼克自己形单影只在球场自娱自乐将孤独放大了数倍。第二部终于有了更多伙伴，不过第一部里和甜甜圈大王互动比较多，这里和真人互动少了许多。金凯瑞还是那么奋力展示着喜剧天赋。但人物的简单，即使他努力搞笑也显得孱弱。第三部注定会再加入新角色，只是编剧能不能写一个好一点的欢乐剧本呢？
小成本，服化道特效差点。
上一部一句“他是我朋友”让索尼克满血复活，这一部一句“我也爱你们”让翡翠宝石给了索尼克力量，原来友情和亲情的力量才是最强大的，全宇宙都吃那一套。
有大话的味道，我觉得蛮好的。紫霞很特别，不错。
好像第一部我就没看，直接就看了这第二部，只能说还行吧，剧情还是那么俗套，效果倒是确实拍的不错。和我小时候认识的刺猬索尼克不是一个人的感觉，小时候的索尼克应该是日本刺猬啊
剧本虽然写的简单，但故事好歹也能说得通。幽默示范挺多的，主角们的造型都不错。解个闷，挺好。
无力吐槽了，连配音也一点感情都没有，完全就是子供向而不是粉丝向
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