The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
7/10.
Can’t really finish it, the actress is way too egregiously annoying and constantly distracted me.
就不能手动开个灯？杀手就这？
我竟然不脸盲了，帅黑警总感觉像帅了的张颂文
被压缩的女性主义内核都市片，充满了后lockdown时期现代女性的烦恼，Zoe真的好适合这种闷闷不乐的角色
太拖沓了，也就是个短片的体量，华点只有最后10分钟
索德伯格这拍片速度，这质量。让我很难不喜欢
后窗加对话，索德伯格努力跟随时代步伐同时致敬前辈的个人风格悬疑
大数据之下，每个人都无所遁形，接收信息、发出信息的渠道多了，被监控、被搜索的渠道也多了。窥视，以前通过窗户，现在通过电子信息。1319
太强行了吧！丑国大街上那么多热心丑国人的吗
6.1/10 故弄玄虚，含混的语调，希式回魂的风格化并不兼容，窗格偷窥的数字化并不彻底，高潮的肉身反杀尤为泄气
别相信天猫精灵。。。故事讲的完整，细节也挺到位的。。。
比较好地展示了技术的两面性，酷不酷主要看掌握在谁手里和用来干嘛
结尾的反杀虽然设计得很抓马，但前段至少有在反映疫情时代的困境，就是阐释的方式有些老套了
都已经摆烂了还在乎什么，都是棋子皆为牺牲品
后部分女性版《小鬼当家》，节奏有些失衡。虽说有点爽，但一想到这些处境全靠反派很弱，还是很伤感的。
一般 但是每次女的都不爱补刀 真是不喜欢这种妇人之仁的塑造 本剧女主补刀补上瘾 钉子枪大站真枪 简直小鲁班 跑都不让你跑
一般般吧，气氛没有营造好，转折也没啥心意。流水线产品
zoe is completely my type of bitch's look
没有做特别深度的探讨，就是一部爽快的剧情片！
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