"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide
"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.
The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson
"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum
三星半~
开头野外捡钱的一段神似《老无所依》。扮猪吃老虎的爽片，大白天的正面硬怼一挑12，哪怕兰博都得事先埋炸弹靠机关。话又说回来，老亨利这江湖老手了，深知不义之财来得索命，他不应该捡钱才对。一看就知道肯定不是网飞拍的，老亨利怎么可能死呢，如果效果好观众买单，肯定要整个续集的彩蛋才对。
一般传闻他21岁时在新墨西哥Summer Fort被Garret警探射杀，这个片中Curry也讲到了。
男主是《巴斯特斯格鲁格斯的歌谣》里骑白马弹琴传唱故事的神枪手
新时代的西部牛仔片很有味儿 算是比利小子的外传？没有看过 补补课
后现代西部片，细腻、苍凉。比利小子依然神一般存在。
简简单单讲一个故事，很有美式西部片的味道，挺喜欢的
别惹农民阶级，里面藏龙卧虎
硬核，纯正，西部片该有的元素他都有了，不需要女性角色，更不需要黑人演员，就是这么纯粹，故事简单，场面火爆，摄影也是美到爆。
你一枪，我一枪，我们一起biubiubiu
這種江湖傳說給我來100部！！過癮！！！
简单粗暴的绝世神枪手，就喜欢这样的比利小子。
对西部的粗粝生活还原的很好，给了西部传奇人物一个归隐侠客式的结局，只是故事太过简单了
俗套的故事，但西部片就有这股子狠劲，抓人！
正统西部片。粗粝，简单，暴力，快速。不磨磨叽叽，谈不拢就开干。就是高潮战斗戏有点短，刚感觉开始爽干了，就灭完了。
以为是近年来少见的复古西部片，结果看完之后大失所望，看到结尾才明白导演原来想在一个100分钟的故事里讲一个自己版本的比利小子传奇，可惜片长太短铺垫不够而且传统西部片的剧情就是套路为主关键看氛围和演员跟人物的代入感，说实话整这么复杂没意思；反派一号在明知房子里至少有1+0.5*2=2个战斗力的情况下远程开一枪引起警觉属实智商拉满了，然后反派在crawl里头架枪了都男主又开始给儿子讲枪斗术了？结局反派纠集一堆杂兵围攻的戏也是拍得稀烂，我一看反派开始白给然后男配一直在挂机就知道肯定要最后要搞男主；可能只有男主那个迷离的眼神有点迷人；从《老无所依》到《边境杀手》，西部片一直在进化，感觉上拍传统的西部片已经没前途了
还可以，比利小子被放走的设定真是让西部片爱好者眼睛发亮
Billy the Kid不是哪个被枪击的倒霉孩子，而是美国拓荒史上的一个传奇人物。亦侠亦匪，且枪法极快。
经典西部 色彩配乐对白服饰... 除了剧情以外但只属于西部简单又不失细腻！
又一部细腻、丰满、深沉、张力十足的西部片。前面压节奏徐徐展开，各种细节铺垫、营造出内敛而愈趋紧张的氛围，几乎没有配乐却难掩紧张不安、蓄满了“山雨欲来风满楼”之势。最后对决干净利落，怜子之情自然流露，揭示老亨利的真实身份的同时给片子增添了些许温情与悲壮色彩。近期难得的佳片。
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