A witty, exhilarating and mind-expanding exploration of the word of our times - data - with mathematician Dr Hannah Fry. Following in the footsteps of BBC Four's previous gleefully nerdy, award-winning maths films The Joy of Stats, Tails you Win - The Science of Chance and The Joy of Logic, this new high-tech romp reveals exactly what data is and how it is captured, stored, shared and made sense of. Fry also tells the story of the engineers of the data age, people most of us have never heard of despite the fact they brought about a technological and philosophical revolution.
For Hannah Fry, the joy of data is all about spotting patterns. She's Lecturer in the Mathematics of Cities at UCL as well as being the presenter of the BBC series Trainspotting Live and City in the Sky, and she sees data as the essential bridge between two universes - the tangible, noisy, messy world that we see and experience, and the clean, ordered, elegant world of maths, where everything can be captured beautifully with equations.
Along the way the film reveals the connection between Scrabble scores and online movie streaming, explains why a herd of Wiltshire dairy cows are wearing pedometers, and uncovers the remarkable network map of Wikipedia. What's the mystery link between 'marmalade' and 'One Direction'?
The Joy of Data also hails the giant contribution of Claude Shannon, the American mathematician and electrical engineer who, in an attempt to solve the problem of noisy telephone lines, devised a way to digitise all information. It was Shannon, father of the 'bit', who singlehandedly launched the 'information age'. Meanwhile, the green lawns of Britain's National Physical Laboratory host a race between its young apprentices in order to demonstrate how and why data moves quickly and successfully around modern data networks. It's all thanks to the brilliant technique first invented there in the 1960s by Welshman Donald Davies - packet switching - without which there would be no internet as we know it.
But what of the future, big data and artificial intelligence? Should we be worried by the pace of change, and what our own data could and should be used for? Ultimately, Fry concludes, data has empowered all of us. We must have machines at our side if we're to find patterns in the modern-day data deluge. But, Fry believes, regardless of AI and machine learning, it will always take us to find the meaning in them.
三星半，整个过程就是个电子游戏，重在一个打得爽。以及，打着打着就看出了《二凤》的熟悉感觉呢。
有点成龙在家具城的感觉，最残废的国王，有这么厉害的公主吗，原来是有中国功夫的师傅，胖点可以保命
看到了加勒比和海贼王的影子
惊人的从头到尾基本全是打戏的电影，像是一个格斗类游戏，girls power打败所有臭男人，也没什么合理不合理了，爽就得了。
居然跟第一部不是同一个导演？？连人设都大差不差居然不是一个导演？？姜河那你也让他演猥琐男我真的受不了：）但是还是看第一部时候的那句评价：因为是这个男主的和这个女主。所以还是看完了。（屋里孝珠演起来真是又美又飒🥺
作为一部低成本青少年动作电影，能做到这个地步已经很不错了。动作设计不错，没有太多奇淫巧技，而是尽可能让演员去按照真实的格斗逻辑去打斗。当然，受制于成本，只能用大量肉搏戏来填充时长，导致角色塑造上有所缺失。
这是游戏改编的还是想改编成游戏？很难理解投资人和制作方的初衷。
比第一集搞笑多了，特效也花了大钱了，就是看着看着会觉得突然没意思，然后又高潮，这感觉怪怪的，李光洙果然搞笑哈哈哈哈
场景较为单一，打戏质量参差不齐，反派死于话多，整体还是较为乏味。
比预期的好些~另外如果公主的选角再漂亮些就好了
像说个通关游戏一样，有限的经费从顶楼打到一楼 没有什么经费 场景也有在一个城堡里，好在时间就1小时30分钟不会太长也恰当，中国的剑客教出了公主一身武艺，成龙式的打斗，图一乐打发下时间还行，说是女权主义电影倒也过了，福克斯出品 不过真的经费太有限了，没有什么爆米花 就是R级的电影，动作戏也都是花拳绣腿，中规中矩吧 至少这部电影杀死了“时间”。
很套路式的公主复仇记，从头打到尾像RPG游戏一样没什么新意，女主动作片日常无限血条，好在打斗戏设计不错看着挺爽，欧嘉实惨，近年演了这么多片子不管是正反派总之挨打跑不掉
没有感情全是技巧啊，从头打到尾，普通剧情大概占了10%？我就把它置顶放一边倍速让他们打着，不一会没注意就看完了🚬
中世纪公主的动作复仇爽片，青少年看看应该会很喜欢，成年人会觉得...很扯淡。另外乔伊金扮演的公主，既不精致也不英气，从头到脚一股乡间悍妇味儿。但是小姑娘动作戏拍得还是挺好的，看看人家小花的职业精神！
看来不仅人人都在学中国话，还习起了剑术，这部影片抛开了传统华人眯眯眼的恶劣形象，反而将武学的精气神以及一身正气展现给观众。亚洲人正面形象希望能越来越多出现在荧幕上。
哈哈哈哈，一部神经兮兮的搞笑片，图个乐呵～而且最近在看六龙飞天，李成桂李芳远还挺熟悉哈哈
剧情如此幼稚，却又这么血腥，小朋友们咋看呀。
为了韩孝周看的，好好看但演技好尬，但是武打花絮里她能做引体向上诶。feel sad for吴世勋的粉丝和李光洙。韩国古装片到目前为止还没看过一个好的，怎么一碰古装质量就这么差？
李光洙本色出演 韩孝周美但也不扮美姐姐好飒 甚至看오세都看出了一点点帅 燃的时候也挺燃 作为春节档商业片真的很合适不带脑子看 / 打完分发现和好多人的看法不太一样 确实整个片子属于无厘头 古代的背景但是有很多不符合逻辑的东西 但是我其实倾向于这就是他们追求的效果 比如姜河那其实很多时候的语气 就是他演现代片的语气甚至现代的话 但是你不能说他是演不出来古装剧的人
没想到俺最喜欢的角色居然是琳(她好帅!)和她师父，还有国王…小妹也可爱，公主…还好吧，只能说换任何一个演员来都能演，怀念以前你坞的审美，现在真他妈断崖式下降…需要美女的安排奇特的来，美女还得被压着😅
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