6 out of 7 people found the following comment useful.
A brilliant and outragously funny satire of society, 7 December 1999
Author: Dave Joerg ([email protected])
"Flodder" is one of the funniest movies ever made and few people realise that it is a Dutch movie made by none other than the Holland version of John Carpenter, the famous Dick Maas, author and director of the thriller "Amsterdamned". The Flodder family is the reincarnation of the term a-social. When the whole family bunch, basically all bastards, criminals and sluts must be relocated from their City slum because of toxic waste under their house, the city council house no choice. The only available space is in the "Zoendal" - the "Sun Valley" the best area in Amsterdam where all doctors, snobs and businessmen can afford to live their lives. And where the central point of interest and politics is the tennis club of the community. The Flodder family brings devastation to the tranquil world that ruled before. They are simply unbelievable. The characterisation is incredibly funny, beginning with Ma Flodder who searches other people's trash cans for food or making illegal liquor in her cellar and ending with the eldest daughter who is the biggest slut on earth. Together they make the most horrible family imaginable, a sort of immoral mirror image to the Brady Bunch or the Waltons. When the City counsel of Amsterdam hoped that the Flodders would show their good will to be more civilised in their new area, it turns out that Holland's most famous family would rather bring out the worst in the rich people of "Sun Valley"-wonderland. The rest is a hilarious, brilliant and well made social satire that can be watched as a provocative movie as well as a straightforward comedy. Dick Maas at his best. I salute him! Flooder was the Dutch smash hit in 1986 and brought two sequels and a tv series. All of the sequels were nice but not as great as the original.
Flodders (1986) is available on DVD in Germany in a dubbed German version in Dolby Digital 5.1. under the name:
"Flodders -Eine Familie zum knutschen"
Why is First Floor Features, the producer of the movie not bringing the Dick Maas blockbusters out on DVD in the Netherlands, I wonder. The are not even available on video there. These movies have so much potential, still to this day and have a huge silent but true following.
真的是很不错的，设定很契合这个时代了（有没有阴阳怪气某公司不知道，反正倒是阴阳怪气某个country了），前半段唯一的缺点就在于反派过早的暴露了，而这一反派的设定也太过cliche了，这在后半段的结局处理上，更加显得突出了，全篇只有这一个点不喜欢，即便各种拼凑的元素都是那种deja vu感觉，尤其是和前段时间的free guy，太过相似了，创意趋同吧，结尾和free guy的诟病一样，都有点为了合家欢而合家欢，这种处理感觉某种程度否定了ron/guy的意义，still还是很喜欢这个的
I AM FOR MAKING FRIENDS.好梗，可惜说不好故事。
本片主题，相对还是儿童向一点，虽然内涵的是“苹果公司”，可总体剧情来说，粗看不错，细想不行。
结尾扣一星，强行煽情真没必要，故事就停留在找到云端数据恢复罗恩就好了，最后也没有彩蛋。大数据时代没有人可以拥有隐私，喜怒哀乐也不应该被社交所绑架。罗恩的数据不是代码，而是巴尼告诉他的一件件小事时，真的好好哭。罗恩喊阿布扎龙的音调太好笑了哈哈哈哈哈，罗恩是按照低配版大白设计的吧？
大数据的产物，什么都对，人物弧光也好两难选择也罢，非常的恰当贴切，但是，就是无法令人聚精会神。形似而神散了吧。
多好的反社交网络宣传片，科技要服务于活生生的人，而不是凌驾于人之上制造一个个隔绝的屏障，交朋友完全不需要这种消费主义陷阱
大白的商业神话再一次被复刻了！影片正面直击了许多严重的社会现状，社交恐惧、大数据分析、亲子关系、饥饿营销、信任危机，孩子们的童年也随着这些问题开始产生质的变化。X果和X书太坏了，安德鲁和X克太像～
好拧巴的故事……前面以为是AI觉醒，结果AI还是工具……那最后最后的结局不应该是AI消失吗
今年最好的动画电影。故事不算新鲜，人与机器的问题，但是，却让人忍不住思考科技发展的初衷，科技发展为了拉近人与人之间的距离，但实际上却扩大了人与人之间的距离，那这样的机器还真的是我们需要的吗。温暖、炙热、有趣、充满关心的人际关系才是我们需要的呀
虽然有种弱化版大白的既视感，剧本有些老套，但还是做到了比今年的迪士尼（寻龙传说）和皮克斯（夏日友晴天）都好看。
非常俗套的友情故事，跟大白差不多，但这机器人应该无法出圈。
哭了 虽然大白既视感过强 但还是被打动了 而且真的有很多好笑的地方 尤其具像化的点赞和关注 太有趣了 Friendship is a two-way street 最后它离开了他 going everywhere 他成了机器人之王 有了新的朋友 但他们再也无法一起在草地打滚了 这是必须接受的吗？growing-up just sucks.
我就算变成硬盘 也还是记得你怕黑 为你发出光亮
媒介融合时代，这部影片足以证明了媒介即隐喻的观点，当如b宝这种媒介的盛行，人类的隐私，娱乐，人类的所有生活都将成为他者的窥视。
only the true friend will show up when you need him around.
设定并不新鲜，可能过几年这台智能设备产品就会出厂吧，不过影片几处狠辣的讽刺很到位：再多的点赞也遮掩不了孤独，科技资本公司确实带来了便利和进步，但背后仍旧是贪婪。
7.5/10
设定挺好的但是这个剧情简直套路大合集太没新意了
电子化程序化人工智能化的“朋友” 爸爸和奶奶从路边买回来的损坏二手 进入cloud刷掉所有
设定上可以加分，前半部分很不错，后面就开始套路和煽情了。
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