The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
之前在吉野贤治的书里就听说了fire island，就像LGBT的乌托邦。有生之年一定要去一次，体验一次完完全全做回自我的感觉。
糖水片。但是gay圈的鄙视链还是很真实的hhhh。
Once in a while, you just need some cheesy movie to cheer up
Noah倒是有点撞脸今年的🌈金棕榈短片导演
北美亚裔基佬比较真实的写照。想念温哥华的基佬朋友们。
It’s summer fairytales in Gay Disneyland. And I just loved watching it in this hot summer!
我一直以为自己偏爱像Dex这样的肌肉白男 结果反而Noah和Will这样的肌肉亚裔更深得我心🤣
人类挑战极限真的太令人钦佩。还有那些为了人类探索而献身的狗狗们~
很普通，但还是很喜欢，Oliver小可爱比逍遥法外里还可爱了
怎么2022了还是这用套路啊，gay喜剧能不能有点新意。
不思进取的gay people。酷儿题材进入大制片厂体系也意味着的酷儿文化被好莱坞收编、先锋性失落的必然，其背后是美国酷儿被资本主义机器驯服的现实。纵使再有解构反讽的抖机灵，也不过是回光返照和遗产罢了
i had so much fun watching this!!!!!!!!!!!!!!!! (white gays are the worst!!!
netflix对本片的关键字adventurous&suspenseful，感觉被骗了。
虽然主演是俩asian，但是这片子在提升gay asian的visibility和打破偏见上，我只想说not helping
看到最后，长舒一口气。雪地有盲视，还有幻觉。
lgbt内容里很新的题材，在hulu完整看完。两个亚裔男在七天fireisland收获爱情的故事。
还是可以四星鼓励一下。JKB也太有颜有才了吧，自编自演。其实实质上还是有点段子集，但是好在俩亚裔男主的设置，一个旁白自述，另一个补白照应。突然发现，看完也没有那么想念在UWS的日子和FI的时光，挺好。
虽然是很俗的剧情但是流畅节奏也轻快。不管什么刻板印象，其实之是把抓眼的类型都放在了一起。没有什么深刻的道理，就是跟着剧情里的人一起经历。在临时同居后已经很久没看这种轻松氛围的作品了
Fire Island作为Gay Men Cruise Culture的一个文化符号，最有名的文本莫过于Tom Bianchi的《Fire Island Pines》.前HIV时代的火烧岛既是GayMen的同类避难所，也是性解放运动的发生之地.后同志时代的喜剧中的融入了古老的Jane Austin式的PNP叙事范式，不再在纠结认同政治，转向附近性的探索与群体链接. 总是来说，故事俗辣却很适合打发时间.如今的脆弱状态也看不了太苦大仇深的东西.
量产品，人物扁、剧情死、视听僵、发展和主题全靠台词，刻板形象多得可唯恐同。
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