"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide
"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.
The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson
"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum
就凭这老头的战斗力,你说这是科幻片我也信。
6分,成无脑打片了,表演、色调和场景不错,叙事不行
【6.0】第一部的时候还有些类型片框架下的新意,续集就沦为平庸的B级恐怖片了。
恐怖片谈不上了,但作为犯罪惊悚片,尤其是满足暴力血腥这一块还是不错的(我其实印象最深的是小女孩拿刀切她妈胳膊那块...怂人以为砍手铐,狠人直接砍胳膊..
没有第一部精彩,但几个杀戮镜头也还可以。12.19
压迫感和惊悚氛围远不及第一部,人物动机也非常牵强。室内追逐的长镜头倒是有点《战栗空间》的意思。
我是真理解不了,这电影为什么,凭什么这么高分?教练不信任他,不让他上场,他一句:把球给我,我们会赢这就转折了?我真尼玛,吴京拍的吗?
少了前作的窒息感,只能当普通得动作惊悚片看。心疼小女孩,无论亲爹还是后爹,没一个正常的。
不得了,这个系列的整个视听太好了,窒息感足,在电影院看应该更爽
剧情上面有点扯,亲生父母寻找女儿的目的令人不寒而栗,而且瞎老爷子的战斗力实在是有点爆棚,甚至被完全控制住还能让他跑掉,真不懂到底这些反派才是瞎子还是弱智.........
最后老爷子还是没有好的结果,应该是对第一部中囚禁女孩子导致其间接死亡的处理吧。不是坏人,但也有罪错在生。
第一部印象深刻的关键是密室封闭紧张的氛围和“盲”这个元素在黑暗中的最大化运用,这部沦为模式化(烂大街爆款)的逃杀复仇片。
抛开球场上的辉煌,库尔特华纳对自己老婆的深情和作为男人的担当都值得我辈膜拜。超级碗后看这部电影就真的很应景,库尔特华纳,没有机会参加选秀,没有球队要,哪怕去超市当理货员糊口,也从没放弃过梦想,28岁才有机会打上NFL,第一场比赛就破联盟记录,第一个赛季就拿到常规赛和超级碗MVP,这样的故事传奇而又励志,但是电影前半部分着笔太多落魄时期,很多波折却又没拍,和本人经历比起来显得太顺了,后面又赶着拍完,期待的很多比赛高光时刻都没有体现,不过在近些年的体育电影里也算是特别热血的了,如果将来需要拍个足球界的励志故事,瓦尔迪是很好的选择。
还是延续了第一部的方式
个人觉得比第一部好看,说第一部惊悚的,我并不觉得。这一部的故事复杂一些,人物塑造也更立体,小演员挺出彩的。
就凭这老头的战斗力,你说这是科幻片我也信。
毫无传记的意义 浪费时间 7分是怎么出来的
是我对十来岁小女孩期待过高了。还以为会老少配合大杀特杀杀得片甲不留。狗子好好
丧失视觉能发展出蝙蝠技能吗……老汉不容易……
PS:竟然把男主洗白了。
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