Filming has begun for Us, BBC One’s four-part drama adapted by David Nicholls from his hugely popular novel of the same name.
Tom Hollander (Baptiste, The Night Manager) will be joined by Saskia Reeves (Luther, Shetland), Sofie Gråbøl (The Killing, Fortitude), Tom Taylor (Doctor Foster, The Dark Tower), Iain De Caestecker (Agents of S.H.I.E.L.D, The Fades) and Thaddea Graham (Curfew, The Letter for the King), with casting by Sarah Crowe. It is produced by Drama Republic and Bandstand Productions.
Douglas Petersen (Tom Hollander) is blindsided when his wife Connie (Saskia Reeves) tells him that she’s not sure she wants to be married to him anymore. Agreeing to still go on their planned family grand tour of Europe, Douglas vows to win back the love of his wife and repair his troubled relationship with their son Albie (Tom Taylor).
Reflecting David Nicholls' signature mix of humour and heartbreak, Us brings the Petersens' poignant and often hilarious story to life, taking viewers with them on their once-in-a-lifetime journey through some of the most beautiful cities in the world.
David Nicholls says: “It’s a huge thrill to see the novel come to life, and with such a wonderful cast and production team. We want to make something funny, touching and beautiful, to really explore marriage and family life, all against this incredible backdrop.”
Tom Hollander and Hannah Pescod say: “We are delighted to be working with Drama Republic and the great David Nicholls in bringing his beautiful novel to BBC One. The trials of the Petersens will strike a chord with many - a family tale for our times.”
Piers Wenger, Controller of BBC Drama, says: “We feel so honoured to be bringing David’s beautiful novel to BBC One and to have the brilliant Tom Hollander and Saskia Reeves playing the leading roles. We are thrilled to work with David and Drama Republic once again and also with Bandstand Productions on their debut drama for the BBC.”
Greg Brenman and Roanna Benn, Executive Producers for Drama Republic, say: “David Nicholls is a unique and rare talent who miraculously manages to intertwine profound emotion with full-on humour. This glorious adaptation has attracted an exceptional cast in Tom Hollander, Saskia Reeves and Sofie Gråbøl. We couldn’t be more excited to begin filming.”
Us is executive produced by Greg Brenman and Roanna Benn for Drama Republic, Tom Hollander and Hannah Pescod for Bandstand Productions, Jo McClellan for BBC One and David Nicholls. It is directed by Lisa Siwe (Temple, Modus) and distributed internationally by BBC Studios. Filming will take place in London, Amsterdam, Venice, Barcelona and Paris.
上次出院以后近一年来写写景描描情收收稿费四平八稳没得事，刚开始编故事没两天就突然吐得像个坏掉的消防栓，只能坨床上像摊颜色丑陋的史莱姆。这种时候还能干些什么呢，除了看柯南还能干些什么呢(´∀`)（喂！）
新兰永恒的绝美爱情啊~青山老师麻烦尽快大结局吧！
个人而言正统的热血日漫 剧情一眼望到头 但是制作精良有诚意 打架足够热血炫酷 这不就够了吗
京都秋色真美。今时今日阿笠博士应该掌握deepfake了吧。
二十年一吻，还是在脸颊。新兰永恒!原作者也已经明确表达了对柯哀党的回复了吧。
为了我的新兰（算是确定在一起了，但是我已经厌烦了兰无私的不计较以及新一的永远不告而别，要是我是他们我真的赶紧找下一个处着，明明那么受欢迎）
比院线版好看了很多。很长也有点过长，看着确实有点累，但却够吸引人，不会觉得冗长乏味。扎导的风格非常明显，油画的质感，优雅的慢镜加上配乐，很像《守望者》2.0。最大的变化，就是每个人物都有了完整的弧光，感情爆满，有了代入感：闪电侠不再是一个单纯负责搞笑的工具人，而是有自己的伤痛和挣扎，海王不再是一个粗犷鲁莽的肌肉男，而是一个情感细腻不外露，有牵挂和迷茫的儿子和国王，钢骨不再一味的孤僻叛逆，而是在身不由己的世界里拼凑自己人性的碎片。三巨头的变化不是很大，反派依旧俗套弱鸡，这限制了片子的上限。印象里院线版就像是一部二流无脑的视效爆米花，而这部导剪版能看出分镜的考究和美感。整体提升不少。
九百多集新兰终于有了新发展，简直想听一首等了好久终于等到今天，等了好久终于把梦实现。
但步入中年的我
国配，马上猜中凶手，京都清水寺，闪光纸天狗，汉字偏旁组合，天花板上的足迹与血迹，
本来还奇怪最终大boss这么早就出现了，看了后面才知道原来如此
新兰是真的 kswlkswl
之前看过一个脑洞:工藤新一早在第一集被下药后就死了，小兰无法接受事实，于是精神错乱，假装新一还活着，还妄想出一个柯南来替代新一，这也是为什么柯南和新一童年那么像，因为在小兰的假想中这就是一个人。毛利大叔看不得女儿这么痛苦，于是配合她一切的表演，其实每次破案都是大叔自己破的。
我从十岁看柯南追到三十岁，结果才交往我以为这种感情浓度都该结婚了，日本人太含蓄了还得搞一个正式的表白和恢复才交往。
原来我等了二十多年的新兰，在这里才开始正式交往…….终究是错付了
实在很一般……好无聊的剧情，好无聊的刑侦。太多男凝猥琐男发言。同学跟新一说用自拍杆可以偷拍到女生宿舍的浴室哦，xx同学身材也没啥看头，不过毛利同学应该不错吧。然后新一暗爽确实还行啦，心里os柯南身体的时候跟小兰共浴过。吐死谁了？前面小兰因为害怕所以抱紧新一的胳膊，新一就在用手肘感受小兰的胸部？然后园子第一次见到某个女生的时候第一个想法是哇哦她的胸部是吃了什么啊长这么大。呵呵根本就是猥琐男作者自己的想法吧呕了，满脑子都是胸部胸部屁股屁股我看你脑子里是塞满了肥肠。
案子本身动机和作案手法兜一言难尽，给满分的一定是为了最后那一吻，毕竟等了20年啊！
上次出院以后近一年来写写景描描情收收稿费四平八稳没得事，刚开始编故事没两天就突然吐得像个坏掉的消防栓，只能坨床上像摊颜色丑陋的史莱姆。这种时候还能干些什么呢，除了看柯南还能干些什么呢(´∀`)（喂！）
新兰！泪目，这么多年从我小学到大学快毕业了，就冲亲那一下，就得给满分。
《正义联盟》又叫《孤儿联盟》，或者《神奇女侠与五个没妈的男孩》，为什么这么说？因为这版的《正义联盟》是关于一群破碎之人重新振作的故事，一如扎导与DC粉，他们都失去过所爱之人，但也都从悲伤里汲取力量，经历过黑暗依旧勇往直前，这也许就是英雄的含义。回到影片，开头紧接超人之死，在17分钟的背景介绍之后，才接到院线版开头，的确是全新的一部电影了，大量交代信息的片段，补全了原本支离破碎的故事，插科打诨少了，慢镜与音乐的配合构筑出扎克·施耐德一贯的史诗感。在神奇女侠和海王都已经出了单人电影的2021年，导演剪辑版《正义联盟》的出现，就显得恰到好处了。
Copyright © 2015-2023 All Rights Reserved
