Volker Schlöndorff transposes Bertolt Brecht’s late-expressionist work to latter-day 1969. Poet and anarchist Baal lives in an attic and reads his poems to cab drivers. At first feted and later rejected by bourgeois society, Baal roams through forests and along motorways, greedy for schnapps, cigarettes, women and men: ‘You have to let out the beast, let him out into the sunlight.’ After impregnating a young actress he soon comes to regard her as a millstone round his neck. He stabs a friend to death and dies alone. ‘You are useless, mangy and wild, you beast, you crawl through the lowest boughs of the tree.’
The film takes youthful impetuousness and hatred of oppression as its subject and also ponders the cult of genius and sexual morals. Rainer Werner Fassbinder simultaneously plays both Baal and himself and is surrounded by many actors who were later to perform in his own films. After the film was broadcast on West German television, Brecht’s widow Helene Weigel prohibited any further screenings, arguing that the social circumstances engendering Baal’s rebelliousness had not been adequately explained.
电影里的美国人去外国杀个人比你去邻居家里偷个菜还简单，外国政府也不会追究。
制作粗劣，情节不严谨，漏洞百出，收尾更是显得草率.
2022年，《印度队长》横空出世，感觉我们的《中国队长》也要呼之欲出了。
从退伍军人的视角揭露了群体生存状况，疫情之下，影射了不少现实话题，让人联想。
这剧本怕不是AI自动生成的。白瞎了派派的气质。
枪战区域主角光环太严重，尤其是河边战斗。抛开几处逻辑硬伤，整体完成度不错，有种九十年代的风格。
毒瘤还是没有挖除，老美自己也清楚自己的资本是什么德性。
印度卖拷贝执导，印度复联九头蛇主演，剧情是印度钢铁侠+盗梦空间+等等
唯一不合理的就是，哥俩找boss复仇的时候，那兄弟竟然长时间站在最亮的路上开枪，暴露自己。😂
男的个顶个英勇神奇 不死之身 哈哈
派派的表演还是好的，剧本有点老套但也算过得去
没什么歌舞的印度片，基本就是印度版的超级战警，校正完成后可以一打一百。
后面的剧情比较紧凑。
原谅我的出戏，当开场鼓点敲响的时候，我第一反应居然是:“我在大连玩泥巴...”。然后这片子又朝着韩剧跑，一些经典韩剧情节之后，彻底转为印度神片...
特种兵被迫退役，迫于生计做了雇佣兵却又被背叛。
萨瑟兰老了还挺帅 有他爹那意思 电影就那么回事吧
尼娜霍斯也是一枪爆头 戏份太少
派派以前仅靠一双看眼睛就charming到爆，而这片子却又恰到好处地忧郁！至于故事。中规中矩，平平无奇，倒是要表达的，还挺难过的
胜在困境的营造有真实感，所有人也都是困兽犹斗，无论杀人和被杀皆如此。失分在分出黑白，老战友的转变突兀。
最厌烦半吊子文艺的动作片，先沉闷缓慢搞文艺再开打，的确是个讨巧的好方法，跟整容手术前后对比一样有看头，问题就一个，我们动作片爱好者撑不到开打就闷死了。动作片从来不对社会问题提供实际有效的解决方案，它的本质就是逃离社会问题，好看也在于提供了逃离的想象，快意恩仇就像烈酒下肚，我们可以不管问题描述是否真实准确，我们只在乎解决过程是否精彩刺激。而文艺电影正好相反，摔掉酒杯，逼着我们清醒地思考痛苦，肾上腺妨碍思考最好停止分泌，所以它才要“闷”。文艺片费力气的地方，动作片完全不用管，反之亦然，所以文艺片里不入流的表演搁动作片里都是演技，而动作片里不入流的场面搁文艺片都是惊险刺激，对这种想两头占便宜的冒牌货就应该给负分。
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