The Polish doco for the BFI’s Century of Cinema distinguishes itself from all the others in the series by being the only one not to have any film critics, academics, directors, etc providing a commentary. Instead it takes the refreshing route of having ordinary people of all ages talking about what’s special to them about movies – so we get some old folks describing their first trip to the cinema when a lot of people didn’t even know what a film was, memories of what it was like to go to the movies as children, teenagers, and adults before, during, and after WWII, and especially the key scenes from films that have made lasting impressions upon them (not unexpectedly, Wajda’s KANAL strikes a nerve), which are shown in accompaniment, so that it becomes the interviewees who ultimately decide what’s shown in the doco. This kind of stuff is what the ‘100 Years of Cinema’ celebration is really about.
孤独又温柔的人抱团互相救赎
我无法拒绝面朝大海春暖花开的老房子 更何况还有那么可爱的妹妹和温柔的妖怪们
大家都太苛刻了。现在是2022年吉林九台的疫情最严重的时候,这部片子带给我的小小的感动和力量都刚刚好。
日式家庭喜剧,里面的人都很可爱。日本高龄人口多,养老压力大,片中给出解决方案是,卖掉自住房去抱团养老
是不是每个女生带回家的男朋友在父母眼里看起来都那么格格不入
推荐看原著 电影拍的真的是🥲一言难尽 要不是女王我真不会看 而且女王在里头演的也比较出戏🥲🥲
蛮现实的,特别是前半段,没钱的感觉是真的窘迫…
灾后重建+治愈创伤,本来挺日常的,最后的打斗真的大可不必7.0
妖怪向的日漫始终是我最爱看的 虽然结尾略显仓促 整体呈现不如《给桃子写的信》更深刻 但依然是治愈满满
在深夜食堂是一对到这里是父子。看得我也担心自己的养老资金。
真的还不错哎 就是结尾有点理想化了 天海佑希进不了宝冢笑死
share house我有点不好接受 但那样的趴体我想要一个🎉
前面氛围气氛还行,后面打怪是怎么回事,难道不是所有人一起奏乐跳舞拼尽全村人力财力来打败怪物吗,前面所有的铺垫到最高潮急转直下,我都看呆了。好吧其实我是看到这片子有佐藤拓也打酱油,饰演了一个“荞麦屋小哥”,全片出场两次,甚至不配拥有姓名WWWWW
还买什么大平层,合租就好年年住新房喽,倒是“牡丹饼再好也吃不下三个”才是真的…
能看的只有奶奶讲故事的部分,能听只有片尾(突然听到自己以前听的歌)
还是蛮治愈的。想到外公上个月去世,有戳到我的感动点
“你这样是进不了宝冢的。”
这个比喻用的还是蛮美的。地震给人们带来巨大的悲伤—这悲伤被比拟成一种怪物—使人们难以忍受而逃离故地
3.5/5 有点简单强行温暖人心。但是妹妹真的太可爱了。遇见可爱的人忧伤都会被治愈
日式家庭喜剧,里面的人都很可爱。日本高龄人口多,养老压力大,片中给出解决方案是,卖掉自住房去抱团养老
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