Magdalena and Maria are two twin sisters who were separated at birth and know nothing of the other’s existence. Maria runs away from the boarding school in which she was brought up and finds work as a cabaret performer in the cafés of Marseilles. Magdalena lives with her adopted parents and works in an art gallery. The two sisters are joined by an invisible bond which draws them towards the same tragic conclusion.
Director Werner Schroeter has acquired a reputation as an experimentalist filmmaker, hailed by some as an underrated genius, reviled by others for being a peddler of self-indulgent kitsch. Deux is arguably Schroeter’s most ambitious, unsettling and repulsive work to date. The director certainly wastes no time in alienating his audience; from the first ten minutes of the film it is clear this is not going to be an easy ride. The narrative cuts haphazardly between seemingly unconnected events, alternating between realism and stylised fantasy dream sequences, periodically shocking the spectator with graphic images of lesbian sex and a woman being slowly disembowelled. Having several actors playing multiple parts only adds to the sense of artifice and utter confusion, which is a pity as there is manifestly a lot of great acting talent on show – not least of which is Isabelle Huppert. The film’s sheer relentless grotesqueness and self-indulgence is so extreme, so unbridled, so stomach-churningly provocative, that it is hard to take any of it seriously.
경찰이 비리를 받으면서 마약조직을 파헤치다
7/10 就挺正常的商业片 编剧单薄 紧张氛围啥的散的七七八八 主要是主演们带着上分
Okay… all I can say is thank god for not allocating me a ma like that… and fuck prestigious college 🖕️ 这电影导得就很克鲁尼，就是说蛮平淡的，靠大本勉强加了一星🙄️
大熊真的天生为这种角色而生的呜呜呜呜真的好帅！！！！
这片也太无聊了，全程没啥刺激的地方，看的人想睡觉
乔治克鲁尼导演，大本甘当配角，前40分钟男主小时候的部分还不错，和舅舅之间的互动也很有爱，但是后面完全跑偏，长大后的主线不知道在讲啥，剧情各种散乱直到故事莫名结束…
单纯的白男……唯一的看点就是新鲜的又很寡的大本🥺🥺
导演编剧都不太行，美帝人民的daddy issue这种主题更是看烦了……
为了破案而处于灰色地带的警察，受财团资助的警察地下组织。不过背后还有《越狱》式的组织。。。对于资助人的犯罪网开一面，这就是H国的惯例吧
故事平平到让人很难记得两小时堆砌起的电影，究竟有什么值得回味的部分，全然没能让如此亮眼的演员阵容发挥出原本该有的魅力价值，实属可惜。既然还是全程看完的，给颗三星聊表心意。
ost加一星，大概是《天才少女》+《少年时代》+《和summer500天》。
无功无过，克鲁尼至少做起导演不会太烂，就是里面的一切都太typical了，所以他也显然不是这块料，要素不只是强烈点明那个时代的酒单、老歌和baby blue cadillac，草根文科白男如何在成功的同时完成自我建立，首先保证他健全的前提是父职角色AKA本阿芙（本片里寡得人口水直流）实际上一直都没缺过位，其次感情生活其实都是靠绝望的母亲和坏心眼的女人来填补的（horrible），最终还完成了一场合法守法的弑父（报警），我的天，我不知道该不该怪原书作者，但你们白男宇宙究竟还要搞多少遍这样的故事！本片唯一好的地方就是做到了让本阿芙谜之娇俏
大本在这部里格外的帅!剧情太淡了，但又没能淡出风格。
感受到了对lawyer的stereotyping😂
就不难看，韩国类型片的及格水准。这类型啥时候能重振雄风啊，好久好久没有优秀之作了。
赵震雄霸气侧漏，实力派一个稳字。题材比较新，内容有点飘
音乐不错，车也不错。结局告诉我们男人得有辆自己的车
平淡且冗长的流水账式叙事节奏 太乏味了整体非常一般 毫无新意 多一星给配乐
心灵捕手的影子蕰片其中 ijus fuckin love this kinda noyie
Copyright © 2015-2023 All Rights Reserved
