Alex Riley explores the world of the technology superbrands - how they get us to buy their stuff, trust them and even idolise them. He meets the supergeeks who are inventing the future and finds out how some of the most powerful companies in the world really make their billions.
E1 technology
Alex takes a closer look at some of the most powerful technology brands in the world - including Apple, Microsoft, Sony, Nokia, Facebook, and Google - how have they become so central to our lives and how do they plan to stay ahead of the game? He finds out why Microsoft now have to spend billions of dollars every year on development to score a hit product and why games console companies are willing to lose billions to get their product in your living room. He discovers how technology format wars are being determined with the help of the porn industry and how Apple has literally become a new religion.
E2 fashion
Fashion novice Alex Riley dives into the world of clothing superbrands to find out how these billion dollar global organisations have invaded our wardrobes and our minds. When he discovers that designer handbags are so desirable that some women will pay 100 pounds a month just to rent one, he's determined to have their heads examined to find out why.
E3 food
Alex Riley is on the trail of the global food and drink giants. What's so special about them? How have they penetrated our brains so we recognise them like members of our own families? Alex travels the globe to find where they've come from and how they make us keep on buying them.
#加州行观影系列#3.12旧金山飞新加坡机上看的。爱德加赖特是不是不太适合拍惊悚片，故事本身就挺空洞了，有加上这故弄玄虚的各种技法，literally很穿越。最差的是结尾，我很费解：她住了这么久都不知道房东姓甚名谁？？明明喝了毒药，挣扎两下之后就又跟没事人一样，又是打斗又是逃跑的……？
乡下来的怀揣梦想潜力大学生为了远离婊子室友租住在一个满是冤魂的伦敦老房间里，完整经历了一场想要成名最后被迫堕落的历程，感觉人生丰富了许多。本来只想给两颗星，多一颗星给靓妞。
怎么说呢，影片在前面60年代追忆与梦境转换的闪光之后就开始慢慢步入下坡道路，女主和黑人男友都不甚讨喜，还不如看安雅跳两个小时恰恰舞。
镜子与影子，猎奇大于疼痛，类型语言花里胡哨，作者标志也很模糊。
对于60年代复刻，于视听而言皆是盛宴。双女主和镜像的运用很厉害，跳舞那里还能实现人物互换，非常惊艳。但中后期走向诡异，变得吵闹无聊，结尾更让人无语。
第一次听downtown还是在《移魂女郎》里
"This is London. Someone has died in every room in every building and on every street corner in the city."
感觉从《我们》来的一面镜子照见一个人的两个后脑勺这个创意被发扬光大了，粉色的裙子配金色蓬蓬的头发加上Downtown的舞蹈的安雅太美了。以及果然酒吧小妹乱蓬蓬的头发和浓厚的眼妆不值一提练成的。一百次的死亡之后都练成平和的绝望了，安雅的悲惨也太好哭了。
看了DNEG的VFX BreakDown之后，竟然整个城市、汽车都是3D模型，镜子戏也是各种绿幕的奇技淫巧，比影片本身还有意思，佩服。
文本仅仅维持半个小时在线水准，随后放飞自我，什么精分什么鬼影什么穿越来去自由随意得很，结尾能圆回来也是靠牺牲前情铺垫，好在视听依然是优点，非常典型的埃德加·赖特，复古霓虹范+铅黄惊悚风+安雅还是能死死吃住我，黛安娜·里格最后阶段的表演十足惊悚，RIP。
20211130想看，20211207在看。女主你天天做怪梦就没想过风水问题吗！没事不要看精神分裂症电影。以及这很未麻的部屋。
就知道脫褲子的無臉男鬼沒資格求救哈（ 不過最後做出來的衣服是不是有點太醜了😄
60s狂喜 Edgar Wright专注于将电影变成自己的游乐场 地狱下的男人不需要被超度
前半段太棒了，色彩布景剧情交替都抓眼球，中段过于冗长混乱智商捉急，不过结尾好评！“help us”“no”“I know”几句太喜欢了，直接拔高~~五光十色的画面感舞台感都太喜欢了~~中段再剪掉一些就好了~~
确实不太行，埃德加赖特还是老老实实做喜剧吧
我知道这个不是推理片，但60年代那么多命案都查不到她头上？逻辑上太说不过去了吧。女主全程毫无胜算也看得人很难受。
算了，以上是我瞎说的，这部电影就是一团杂乱又精致的空洞。
Edgar Wright新作。前半部分还挺不错的，后面有点崩了，女主神经叨叨的看的很烦。
安雅鲨我！！！看完简单回看了一下，其实前半段台词伏笔做得挺精致的，但中后期整段垮掉🤷🏿♀️ 这结局我倒还挺喜欢的。女主瞪大了眼睛的样子有点烦人。其实整个片子里最吓人的不是黑人男朋友的万圣节鬼脸？最后她设计的衣服也太丑了！是故意的吗？！
有铅黄电影的影子，幽灵群的形象设计很有感觉
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