Martin (John Amplas), a young man who looks around 20-years-old, boards a train in Indianapolis, Indiana for New York. At night, he breaks into a sleeping car and sedates a woman with a syringe full of narcotics. She struggles, but he tells her not to struggle or be upset because she wont feel pain. After a few minutes, the woman falls asleep, and Martin has sex with the unconscious woman. Afterwards, he slices her wrists with a razor blade so he can drink her blood. The woman bleeds to death in her sleep.
In the morning, the train stops in Pittsburgh, Pennsylvania where Martin disembarks. He is met by Tata Cuda (Lincoln Maazel) an elderly and hostile old man who claims to be his cousin from the Old World. Together, they travel by another train to the town of Braddock, a dying industrial suburb. They walk to Cuda's large house where he shows Martin his living quarters. Cuda then accuses Martin of being an 84-year-old vampire from his old country. He has taken in Martin because he is family, but tells him, "First I will save your soul. Then I shall destroy you." Martin denies being a vampire and implies that Cuda is merely his uncle rather than his cousin. Cuda then puts up strings of garlic on the doors to his and his granddaughter's room, and then holds up a small cross when Martin approaches him. Martin takes away the cross, and even takes a bite of the garlic mocking these attempts by saying bitterly, "There's no real magic... ever". Cuda tells Martin that he can come and go as he pleases. But he also warns Martin that he will kill him if he kills anyone in Braddock. He also tells Martin to stay away from his granddaughter Christine (Christine Forrest), whom arrives home from her job that evening.
Cuda introduces Christine to Martin, but also warns her to stay away from him. But Christine instead strikes up a friendship with Martin who confides in her about his vampire heritage. When Cuda later confirms Martin's claims to be a vampire, Christine, not surprisingly, refuses to believe either one. She thinks that Cuda and the other members of her family have driven Martin to insanity by making him think that he is a vampire. It is never revealed if Martin really is a vampire, or just a shy and lonely youth with troubled issues. Christine is the only person that Martin gets the courage to talk to. When Christine's boyfriend Arthur (Tom Savini) arrives at the house for dinner, Martin stops talking and backs away despite Arthur's attempt at a conversation. Christine later confides in Martin that she hopes to leave Braddock someday with Arthur, even though Martin points out that Arthur treats her badly and is both verbally and physically abusive towards her.
When Christine sees that Martin won't talk to anyone else, she buys him a phone which he installs in his room. Martin begins to repeatingly call a radio talk show where he describes what it's like to be a vampire. He becomes known on the radio as "the Count" to all the listeners. But the patronizing host (Michael Gornick) thinks he's just crazy.
Martin gets a job at Cuda's grocery store of stocking shelves, hauling boxes around, and even gets to be a delivery boy for some of the customers. One of his customers is a certain Abby Santini (Elyane Nadeau), who becomes taken in with Martin. She is a very friendly young woman who is depressed when she tells Martin that her husband is unfaithful. But Martin still does not have the nerve to talk with her, so she is happy to have someone to confide in with her life problems. Martin phones the radio show host to describe his infatuation with the housewife and senses that she wants to have sex with him. When the radio show host asks Martin if it is a sexual problem that he has involving women criticizing him during sex, Martin replies that he has never had sex with a woman who was awake.
One day, Martin travels by train to outside Braddock to look for victims. At a supermarket, he follows a young woman (Sarah Venable) home to her posh suburban house. He sees the woman's husband (Richard Rubenstein) leave for a long business trip, and Martin decides this would be the right time for more feeding. Martin returns to the house after dark and breaks in through the garage door. But it is Martin who gets the surprise when he bursts into her bedroom to find her in bed with her adulterous lover Lewis (Al Levitsky). After a vicious struggle, Martin jabs both of them with hyprodermic needles with narcotics, and waits for the drugs to take affect. He drags the unconscious body of Lewis from the house to a clump of trees across the street where he kills him by shoving a broken tree branch into his neck and drinks his blood. Martin returns to the house where he has sex with the unconscious woman. But out of compassion and pity, he decides to let her live.
Martin begins to have romantic monochrome visions of his vampire past (real or imagined), where he drained blood from a young woman and was chased through the streets of a nameless European town by a torch-lit mob.
During one Sunday at church, Cuda brings home Father Howard (George A. Romero) who asks him about the possibility of exorcism and demon possession. Father Howard calls upon the elderly Father Zulemans (Clifford Forrest, Jr.) over at Cuda's request. Together, Cuda and Zulemans confront Martin his bedroom and attempt to perform an exorcism on him. At this point, Martin remembers (another real or imaginary flashback), in the Old Country of people trying to perform an exorcism on him, and he flees them. Martin then flees from Cuda and Zuelmas as well. A little later that night, Martin terrorizes Cuda in a children's playground when he puts on a Dracula cape and puts false fangs into his mouth to pretend that he really is a vampire.
One day, Martin finally musters the courage to talk with Mrs. Santini during a routine delivery to her house where he tells her that he's aware of her attempts to seduce him and wants now to have sex with her. After having sex for the first time, Mrs. Santini becomes more depressed for she tells Martin that her husband just left her because she discovered that she cannot bear children, and that her desires towards him are based on sex and nothing else. But Martin wants to stay with her and help her move on with her life. Martin tells the radio show host about his affair with the housewife and that he no longer has the urge to attack other women.
Meanwhile, Arthur meets with Cuda and tells him that he wants Christine to leave town with him so they can get married and start a family. But Christine becomes angry at Cuda when he tells Arthur that insanity runs in their family and he shouldn't consider having children with her. Shortly afterwards, Christine packs up and leaves Braddock for New York with Arthur despite Martin telling her that Arthur is abusive towards her. But her mind is made up. Before leaving, Christine tells Martin that she really has no ill feelings towards him and just wants to make a fresh start with her life. She says goodbye to him and promises to write. But Martin knows that with an abusive and possessive man in Christine's life, she probably won't.
Depressed over losing his one true friend, Martin phones the radio show host and tells him that he's getting "shaky" and wants to go out looking for more victims. That night, Martin travels to a rough crime-ridden area of Pittsburgh and attacks two derelicts in a alley, injecting them with narcotics. He kills one of them by silting the bum's wrist and drinking his blood. Martin is about to kill the second one when a police car shows up and gives chase. Martin narrowly escapes during a long chase on foot which leads from the garbage strew streets and through a local store. Martin runs into an old warehouse where a drug deal is going down. A shootout between the two cops and the three thugs begins where all of them are killed, leaving Martin as the sole survivor who casually walks away from the carnage.
One day, Martin finds Mrs. Santini dead in her bathtub, after she had slit her writs with a razor blade. Martin anonymously calls the police to report the body and leaves. He phones the radio show host one final time to say that he really doesn't need friends or people to talk to for he is his own person. But when Cuda learns about Mrs. Santini's suicide, is mistakenly thinks Martin killed her and made it look like a suicide as he's done before. Cuda walks into Martin's room while he is asleep and kills him by hammering a wooden stake through Martin's heart.
Cuda buries Martin's body in his back garden, while over the closing credits various voices from people are heard talking to the radio show host asking the whereabouts of "the Count".
说好给3星的还是要+🌟！只为了那句”谁还会爱你邓布利多”！ggad越回味越上头～剩下要夸奖龙虾🦞之舞精彩片段堪称堪称全剧高潮。麒麟造型不是白色不是龙衍生感觉功课做歪了…最后：搞事业搞政治的格林沃德高贵leader果然不如淫威施压洗脑邪教伏地魔大人来的有霸权感！希望后几部能拍的紧凑&逻辑更透一些。以及，没有彩蛋。
两个邓布利多决斗的时候 我高喊：是邓布利多杀了邓布利多！
哎，这是啥电影，这特么就是大型离婚现场。吃瓜吃得我口水从眼睛里流出来。
Tina没出现的理由也太牵强了……更牵强的是英国魔法部傲罗司负责人在德国失踪或被非法拘押居然没有成为国际事件……
比上一部好看很多，尤其喜欢邓布利多对战Credence和和纽特救哥哥这两场的设计，前期的分线做任务式剧情也有悬念，到了后面选举和麒麟啥的实在是太过儿戏，看得几次笑出来（但是想想今天荒诞的世界竟然也有点应景）。。以及，看的过程中始终浮现一个感觉，如果不是有IP的加成，这类故事内核已经开始过时了
比上一部强，但是科沃斯基太惨了，各种被侮辱被损害啊，特别那个摆设魔杖也仿佛是个讽刺。不过最后能跟奎妮HE我很开心！我愿称这一部为《撕血盟作孤独终老 因麒麟伏白首双星》哈哈哈
For the greater good.
第一部五颗星，第二部四颗星，第三部三颗星，到第五部连星都不要了吗？
看了很久都看不完，只有嗅嗅的出场最好看。如果强尼戴普还在就好了，他以前好像没有演过gay。
正好这两天在补番hannibal 所以怎么看格林德沃都像拔叔换了套衣服走错片场 举起魔杖也不是为了greater good of witchcraft 主要是把人往餐桌上运啥的……当然了两个剧倒是异曲同工的gay了 除此以外神奇动物之寡淡无聊可以说是连评论都浪费时间 格林德沃，魔法世界几个世纪以来最伟大的野心家 以及从哈利波特时代就开始埋线的和邓布利多最伟大的世纪决斗 最后就，这？哈？华纳你自己说你对得起罗琳阿姨20年的铺垫吗？
surprisingly ok…裘德洛和汉尼拔叔都认真 演技从眼睛里溢出来了 血盟的逻辑可以 合理 甚至 在这样的时局 仅仅见到纽特就已经很安慰 心里甚至还有委屈 但即便如此 我永远怨恨大卫耶茨 永远怨恨他给盖勒特格林德沃篡改的结局
7分，没有太多惊喜，但也还是符合预期。没想到电影一开头就有台词删减，还好之前预告印象深刻，直接人工嵌入，从超越同窗之情到老对头，最后那句“除了我还有谁会爱你”还是很扎心，天才之人往往是孤独的。相对于前两部，第三部更主要讲的还是魔法世界的故事，争夺麒麟也好，竞选统治者也罢，唯有心善之人才能得到他人的尊重与认可。
铺垫的一集，但算是往正轨上走了，给了Klove producer的头衔，应该后面会越来越好。“还有谁会爱你，邓布利多？”然后轰然一声，血盟破碎，阿不思心中某个东西永远地失去了，再也不会回来，他是爱他的。我的妈真的爆哭呜呜呜，裘花终于贴上原著的老邓了。我还是要说，阿不思·邓布利多，才是世界上最伟大的魔法师！！！
顺带，好久没有看到像刘㳸这么酱油的酱油了，一丁丁点存在感都没有。
有点过于堆砌世界观了，而且很多角色的工具人属性太明显。自从知道这个系列有5部以后我就对可能空洞的剧情与不够好看的群像充满了心理准备……从预告片花放出来兄弟二人与邓布利多的片段的时候，也做好了迎接be美学和卖腐噱头的准备……但我也没想到一部比一部能越来越点题，神奇动物在哪里？目前这个系列最好的还是第一部
主角Newt和神奇动物已经成了挂名主角，这个系列看到第三部基本可以肯定主线和他们没什么关系了。邓布利多在这个系列里的形象和在HP里的形象完全是脱节的，仿佛只是叫同一个名字的另一个人。HP里的邓布利多受人敬重，人们为他死，我都是相信的。可是在FB里的邓布利多，随便一句话就一呼百应，他什么都不用做，就有很多人愿意为他舍生求死，我却无法信服。另外，虽然换角了一度不适应，但我觉得麦斯叔叔演得真不错。
原来嗅嗅名字叫Teddy！就这部的情感调动真的很汹涌，并没有很磕CP的我也处处被戳到哭，当然BGM加成不少。斯卡曼德兄弟真可可爱爱，还有雅各布和奎妮，还有蒂娜，哦想你们。也挺喜欢新角色黑魔法防御课女教授的。克雷登斯真的好可怜，他渴求的不过是点点温暖而已啊，却一直被蔑视利用，知道凤凰跟着他的缘由，唏嘘。。是的，两遍两遍，我才接受了麦叔的这个老格。然后再一想吧，德国这种画风和麦很搭，然后巴黎就适合尼德普那种花里胡哨的，美国自然是勤勤恳恳的部长了，迷惑人还是要尼德普那种花里胡哨的。然后开始搞事情了，残酷的一面来了，麦叔就很冷酷。嗯，千人千面都是老格，也行吧。
雅各布奎妮，不再是“almost lover”了。
7.5分的作品。
seriously？JK 罗琳是彻底摆烂了吗？这剧作要多敷衍有多敷衍，设定要多硬有多硬，如果写不下去干脆就不要写了好吗？
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