The Polish doco for the BFI’s Century of Cinema distinguishes itself from all the others in the series by being the only one not to have any film critics, academics, directors, etc providing a commentary. Instead it takes the refreshing route of having ordinary people of all ages talking about what’s special to them about movies – so we get some old folks describing their first trip to the cinema when a lot of people didn’t even know what a film was, memories of what it was like to go to the movies as children, teenagers, and adults before, during, and after WWII, and especially the key scenes from films that have made lasting impressions upon them (not unexpectedly, Wajda’s KANAL strikes a nerve), which are shown in accompaniment, so that it becomes the interviewees who ultimately decide what’s shown in the doco. This kind of stuff is what the ‘100 Years of Cinema’ celebration is really about.
又傻又难看到不能忍，到豆瓣各种骂这部片子评论，比较解气…
👩：好吧(ﾉ_ _)ﾉ四点五分
平庸之作，其实就是讲丹麦厨师的寂寞，空虚，冷。
车胜元演技没有过，开头的几次肢体接触也太奇怪了。还是看综艺舒服一点
美式英伦风总是糙糙的，人、光、景、对话、故事……
这片还真是个灾难，两个问题，您这200米深的水是打算怎么排出去？以后当个湖吗？
男主的“傻脸”经常让我笑出戏。
有些电影只配存在短视频中。
人类被疫情天灾战乱政治一通组合拳 已经可以用纯喜剧的方式去拍灾难片了啊
女主挺漂亮可爱，演技也蛮灵的，男主没啥魅力😅
把灾难片拍的这么沉闷真难得，113分钟砍成70分钟就紧凑了
每次达妹看镜头我都梦回伦敦生活 如果直接改成现代剧感觉会更好！
李光洙为啥每次演的角色都跟个搅屎棍棍一样😂
什么玩意，地陷就陷出个深井？也对这故事就是深井病编的吧！房子整栋下陷质量还挺好，人全靠自救觉悟挺高。整个一出喜剧嘛
配乐挺好听。
剧情有点莫名其妙，但希望今年可以去意大利玩嘿嘿
质感差体现在方方面面……过于频繁和单调的破墙表演弄巧成拙，让一小时五十分钟的片子如三小时般冗长。达妹……哎算了！
●女主妹妹反倒比女主真性情。（妹妹结婚了竟然还能这么保持“纯真自我”，我觉得挺好）
好尬呀....普罗旺斯，托斯卡纳这些地方的电影，用山谷、海岸、彩色房子、松林、草地、旧木椅和形形色色的美食串起来就好啦...为什么偏偏要加点爱情...
借简奥斯丁的壳子讲了一个现代爱情故事。无论这是否是导演本意，但古今爱情的对比反而让我更清楚地看到了现代爱情故事的一些特点。当然还是做得太浅了。
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