Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
最大亮点竟然是借女性视角对男性body shame、刻板印象以此反讽男性？！
怎么能比暗夜博士还无聊还老套人物转变更莫名其妙的电影 上次看到这么草率的人物成长是花木兰 太烂了实在 搞笑？一个梗都没get到 布拉德皮特来了也没用 这男女主更是一点cp感都没有 比暗夜博士还差 我是没想到的（部分动作戏剪辑更是一泡污 两个摩托车相撞为什么能剪成这样？）
64年的女主，和80年的男主去丛林探险，最后吻上了。
皮特下线后就一路走跌了 抬椅子那段真的笑到爆炸
不只是對《迷失Z城》的整蠱，更是真正意義的《改編劇本》；都知道好萊塢市況不好要拍探險片，不知道「天下難事、必作於易」，越簡單的越難拍好，不如把類型片瓶頸開誠布公來得合適；無法擺脫《魔力麥克》的查寧塔圖姆、《迷失Z城》製片人布拉德皮特、過氣影后桑德拉布洛克，通篇都是假惡搞、真懺悔⋯承認吧，異域風情不過是好萊塢掩蓋自身匱乏的遮羞布；Lost City，不是為了Lost and Found而存在，而是為遠離世俗，但見錢眼開卻以冒險精神自居的「斯皮爾伯格後世」又怎會認衰仔？
omg笑死，应该去电影院支持一下的。革命精神in latin先苦后甜。
钱老板卖蠢卖萌卖肉和桑婆搭CP演爱情冒险喜剧，布皮客串的开场蛮搞笑的，历史学者文手太太和肌肉男封面模特的女A男O有点反差萌，最后是新单曲Big Energy 夏天看看不错的爆米花电影～
啥冒险元素都没有的冒险电影，又混搭了喜剧爱情之类的元素，显得不伦不类
6.5/10.
喜剧和浪漫元素都不足够，皮特和女主之间火花还更充足。
轻喜剧的套路, 几度让我笑出声的桥段, 迷人的主角, 皮特精彩的客串, this movie simply works.
《迷失之城》就是油腻片的典型代表作，这是商业片的趋同与异化，显示了创作者想象力的困乏与惫懒。如果好莱坞继续这样下去，只怕后患无穷，甚至会摧毁其根基。
皮特教獭兔怎么做全球最性感男人 虽然出场有点短
一堆妈斯拉喜欢的明星所以和她看，看了半个月才看完。网大里特别网大的一部，但笑出声的也不少。
要不是皮特太贵了，就应该让皮特和塔图姆在吊床上睡觉
没想到《迷失Z城》这种近年冷门非经典片也会被恶搞。笑话都是烂梗，还有套路刻意的人物弧光。主要还是看明星。
Entertaining! Brad Pitt is so handsome !
一部属于三不像的电影，不像探险片，不像爱情片，也不大能称得上是喜剧片，于是，影片成功的沦落到了平庸至极。
“天下难事，必做于易。”
还是皮特的部分有意思 整体比较cliche
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