Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto "there's no place like home" is ironically updated to the adult circumstantial adage "there's no sex like marital sex". Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the "fairy godmother" who speaks the last words in the movie.
“都没有秒针”这句好可爱，但是电影剧情转折都好硬，普通的一部MV电影
剧情真的很老土，不知道导演的预期受众是什么人，但可以肯定的是真女同听到最好的朋友这类说辞都已经生理性反胃了。
女孩子的爱情 细腻 温柔 希望你幸福 两位女主之前有共同出演过叹息桥哎～
很多地方看着都有点奇怪，疑惑
这个泡沫在剧终的婚礼呼应并且破碎了，碎得体无完肤，碎在了观众的脸上，化成热泪。
两星给漂亮耐看的两位女主演 两星给唯美的亲密戏 这部电影把校园感情拍得很美好很清纯很青春 只是情节安排有点欠妥当 中译名我不太理解什么意思 反而英译名会更贴切 感觉李芯悦一直在给李咏蓝无望的希望 也许是一直处于匮乏的环境让她失去了对抗风险的勇气 弟弟妹妹在前面没有交代 葬礼才出现多少让人有点摸不着头脑 还有李芯悦母亲和李咏蓝大学男友这两个人物过于蜻蜓点水 电影整体就是给人一种淡淡的感觉 好像快要感悟出什么的时候又被轻轻带过了 最后 李咏蓝实在太惨 像这样的拉拉不是少数 让我更加难过了
拍摄手法和画面都很青涩，可是人物塑造得挺好的，本来看评分这么低，冲着颜去看的，没想到太多画面跟记忆重合，最后哭得比主角们还惨
导演拍了一些可能只有lgbt人群懂的东西
对这部电影期待值很高，过去起码有不下于10次查找有没有相关资源，略失望但可以接受。上次看过的香港女同片是《蝴蝶》，节奏把握比蝴蝶差了太多太多，但是冲在新人导演和新人演员还有大陆不敢拍我还是愿意给5星的。《蓝宇》一出，我就知道是be了，《阿飞正传》一出，张曼玉后面哭哭啼啼忘不了阿飞的样子在我脑海中一下子被唤醒了，喜欢上一个人有时候只需要一分钟，却无法从这一分钟起不再喜欢。看得出来是导演自己的故事，用这样一部电影记住和她的故事，实现关于她的梦想，在有些人看来可能是幼稚的，是感动自己的，那我希望她永远不要长大。
就算是只是爱情片，也太差了，女二演技很不错，像很多清纯系的mix，以后应该能不错吧。
很drama又很真实，瑕疵也很多的电影。谈善言好美演的好好啊。剧情真的有点无力吐槽，前半段很不错后半段好像有点莫名其妙。特别是最后结婚那一趴..新郎好惨🤕雨中的篮球场真的很美很勇敢，全片最佳。
和男朋友一起看的@20211212 哭得他可能以為我曾經有同性愛人
我真的对“好朋友”ptsd了。搁在任何一个时间段没有勇气爱就是没有勇气爱啊。最喜欢的是模仿阿飞正传那个一分钟她用自己的声音当秒针的场景。
翘脚跳交谊舞的段落，以及阿飞的配乐响起来的时候，笑得打滚
看得出来导演想拍一些唯美的画面但是功力不深。
拍得就中规中矩咁啦，仲係有少少稚嫩同肤浅，最钟意秒针同操场嗰part，睇到一半仲以为李芯悦係假借邀请李詠蓝做伴娘之名实质上係想佢同自己一起做新娘，点知原来係我谂多咗。吻戏的而且确麻麻，先唔好讲逼唔逼真，最主要係唔够美感，无论女女定男女都一样。
我们曾经的亲密是真实的吧，那种情感，对你来说或许只是友情，但对我来说，那就是爱情
有一点笑点，确实挺好笑的。男老师：“来月经真的有说的这么痛吗？”全班女生：“有啊！” 果然只有女生懂女生。演电影那里，本来以为是侄女的把戏，没想到李芯悦发现李咏蓝想吻自己的时候，芯悦会这么主动吻上去😭不得不说淋雨时的吻戏真的不错，毫无顾忌又勇敢。芯悦的婚礼上，咏蓝对着芯悦说“我愿意”时真是哭死我。为什么时be ，我好恨！（电影切换场景非常生硬不自然..
你们美不胜收灿烂似火，却在最美的年华由一场粘稠的雨泼灭。转眼而立，百岁人生，古时豆蔻，却仍经历别样人生的世间沧桑。
有些剧情就感觉衔接得怪怪的，虽然但是还是被最后的婚礼整到流眼水。
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