With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
社会真的在进步 俗套电影的剧情从男txl找女闺蜜骗父母然后在一起变成了男txl找男闺蜜骗父母然后在一起
这真的不是《圣诞速配》改编版吗？但拍得比前者要好很多。
太无聊了 看一半真的睡着了…… 但我是真的想回家🥲
老套路的圣诞电影了，但过节就想看点无脑开心的。而且片中帅哥好多，两个主角都很cute.三星还行。
和想象中一样的爆米花剧，
第一次看gay看得挺开心，我也想要一个兔子任务。
人啊怎么就是不吸取教训，真的看个预告就够了，看正片真的是能把你气死。
因为没看完所以不评价，不在节日气氛里看还是有点太热闹太黏糊了，以及男性浓度太高——关注LGBT人群请多出百合片！
唉真的是…看在今天圣诞节的份上王某人放你们一马不吐槽了…有的节日让人对所有不尽人意的人事物都能网开一面，电影其实真的有点差劲，普普通通，氛围开心，苏菲是惊喜，一如既往看见她就想乐呵。
基版《我可能不会爱你》，American gay man回家过节会被逼介绍对象我也是想不到🤣影片剧情还算不错，笑点和感动都有不错的效果。
gay的一些行为动作真的要表现得那么明显吗，有一点太over了吧，不过俩人属性可以CP吗，一开始还以为是纯姐妹同属性那种，圣诞氛围让人温馨，happyending。往往这种故事都告诉我们，珍惜身边人。
#三星半 虽然全程都是笑着看完的欢乐，但看完还是不免感到剧情的套路与单薄，相比于去年圣诞速配的过分饱满，这部很明显是在将古早的剧情走向延续，相爱却没有说出口，却在与另一个他的相处中意识到彼此的真心，并最终圆满结局，不得不说主角家人们硬凑一对的做法还是挺生硬也挺不好的，但本着过节不给自己添堵的心态嘛，就稍微降低预期说，“Enjoy the festival~”
我就问一句，只是一句:毫无CP感是怎么做到的？剧情和演技都是大写的尬...
甜死我了呜呜呜呜 确实是很适合圣诞月的一部电影 喜欢一些朋友变恋人的情节😢我和侄女还有爸爸一样站稳了我们主角cp（虽然Luke也帅炸了哈哈哈 点亮房子上的小灯灯一幕太浪漫了 还有后面Nick用卖书赚的钱租房子给对方开绿植店 什么绝美爱情😢
太喜欢迈克尔尤瑞了，总感觉他还是十多年前的那个Marc。甜甜可爱的爱情故事
大年初六中国年看了部美国圣诞甜剧……只能说“简直了”！
和玥宝。Why are we still watching Christmas movies mid-January?
救命啊，一年下来看看轻松的小基电影的机会也不多，为什么要拍得那么劣质……
好喜欢看这样的电影，开开心心就看完了
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