The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
前段时间忘记看了（
原著粉加一星。“我想到了所有那些在觉醒之后，必须找到内在力量的人”，这句话最好！今天不还是一样吗？一切都是金钱的力量，巴尔扎克超越时代。
五一假期不能出去，决定读巴尔扎克原著！
只能说奥圈里只有久弥直树啥用没有，坂本好歹打戏牛，他文武不开花
🎬《特利迦奥特曼.泽塔篇》🌟
期待武居能在戴卡带来精彩吧
新生代剧场版中上游水平，比tv好太多了，至少人物行为符合逻辑，斯麦路出现在该出现的地方，点到了人与光的主题。久弥直树来抄作业。
剧场版泽塔和遥辉回归黑化表现精彩，黑特和光特，泽塔，打戏和文戏非常完美。
大革命时期的傲慢与偏见。
因为TV，我对这亡羊补牢的垃圾片没有一点好感。
虽然要带着前辈拯救一下口碑，但是也算成功触底反弹了…
明明比新生代大多剧场版都好了，特摄小鬼们能不能滚，别装作圈内人
好家伙，特利迦新生代最烂，特利迦剧场反而新生代剧场最佳
很好看！展现了巴黎报业的迷幻时刻，风格很迷幻，演员很迷人，或可用近来的热词形容：巴洛克，又美又悲酸。
出版业的华尔街的狼，第三幕还不错，前两幕太拖沓了。
哦原来他就是多兰
个人认为这部剧场版可以在新生代剧场版里排第三
7.0分
🎬《特利迦奥特曼.泽塔篇》🌟
威尼斯主竞赛第十一场，改编自巴尔扎克的同名小说。建议直接看原著......电影改编不能说是超越原作吧只能说是胡编乱搞。唯一的价值是我终于知道了多兰是哪位，原来就你叫多兰啊！
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