The subject of Danièle Huillet and Jean-Marie Straub’s Der Tod des Empedokles (The Death of Empedocles, 1987) is the Greek pre-Socratic philosopher Empedocles (c. 490 BC – 430 BC), who lived in the Greek colony of Agrigentum in Sicily. His theories are mentioned in several of Plato’s dialogues. He maintained that all matter is made up of four irreducible elements: water, earth, air and fire. A mystic and a poet, he is considered to be the founder of classical rhetoric. He is also thought to be the last Greek philosopher to write in verse; two fragments of his works survive: Katharmoi (Purifications) and Peri Phuseôs (On Nature). An advocate of democracy, he came into conflict with his fellow citizens of Agrigentum and, as result, was banished with his young disciple, Pausanius. When he was asked to return, he preferred to commit suicide by throwing himself into the active volcano at Mount Aetna.
The German writer Friedrich Hölderlin wrote two versions of Der Tod des Empedokles in 1798 and 1800, and a final third version in 1820, all three ultimately unfinished. They were conceived as five-act tragedies and all three differ in plot. According to Michael Hamburger, Hölderlin’s English-language translator,
the main reason why Hölderlin finished no version of the play must be that he remained too closely identified with Empedocles, at the very period in his life when his own view of the poet as philosopher, prophet and priest – and as tragic hero – was subject to perpetual crisis and re-examination.
Huillet-Straub’s The Death of Empedocles is based on Hölderlin’s first version (the longest of the three), whereas Black Sin is based on the third version.
还是挺真实的，主角中跳弹可还行，神经杀手也提到了不止他一路人，可惜杀手太少，杀手人数再多点就更棒了，无脑爽片干就完事。
为什么评分这么低，我觉得完全可以7分以上啊
类似封闭小镇的设置，还是挺有趣的，六分多不了
确实不是大制作，但是两个男主都是喜欢的，需要加一星。
动作戏没有想象中的精彩…节奏略显拖沓…蛮黑色幽默的
又名
剧情没有逻辑到好笑哈哈哈哈哈 除了女主其他警察都跟猪一样
国内是上不了的，历史总是胜利者编写的，希望我们以后别输了
5.5分。这个系列给人印象最深的，应该就是教堂里以一杀百，还有各种花式爆头了吧？但这次拍起源，却一点好玩的内容都没，那么中规中矩。。。可能也就拉斯普京那段还算有点CULT味，让人想起前两部，其他的么。。。最终BOSS毫无魅力，看的快得都不一定想得起这位是谁。。。儿子死得莫名其妙，这么一种讽刺战争得桥段放在电影里完全是格格不入。电影口碑票房都扑街不是没道理得。
黑人女警挺好的呀，只能说简中的种族歧视令人发指。牛仔风的十三号警署，事实证明，同袍不可信，政治掮客不可信，可信的只有按合同办事的职业杀手
前半段女主好聪明，后半段开始主角们的不死之身。
6.2。演员太少，所以没办法很多战斗场面，嘴炮多了点。就子弹下改密码那段有点意思，女演员还不错。后面垮了
一个固定场景发生的故事，稍微少了点紧张感与情节的错落感。还有，死人太容易了。
愚笨的米国条子在自己的空间内被枪枪夺命，他们存在的意义就是成全职业杀手吗？！警局成了杀手技能大比拼的竞技场。阴谋也好，黑幕也罢，几个人一台戏，打打杀杀，躲躲藏藏，有趣无趣，见仁见智。
比预想的好看，没有惊悚的特效，但是故事很富戏剧性。谁是好人，谁是坏人，应该相信谁？一切就在一个小小的警局里展开。
骗子进了警察局，杀手卧底警察，坏警察，好杀手一起你死我活
女警能自己出去，干嘛非要把两个坏人放出来？楼上有那么多步枪，她又干嘛不去取一只？
（在UK看的）上一部我夸🐂的片子还是利刃出鞘
三人在地下牢房博弈的那一段很精彩，整体匠气有点重。另外谁打工都是混碗饭吃，太过敬业真的没有必要啊…
浪费时间的100分钟 平淡老套小儿科又不够热血的剧情和台词 说实话感觉脏了我的豆瓣 但是强迫症又逼得我要给这个打分
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