剧情介绍

  喜剧,讲一个男人通过装假胡子装扮成兄弟两个人,周旋于女友和未来岳父之间,因为岳父喜欢有胡子的人,认为有胡子的人成熟稳重。
  Ramprasad Dashrathprasad Sharma (Amol Palekar) is looking for a better paying job. He and his sister Ratna (Manju Singh) have no relatives or acquaintances except Dr. Kedar (David). Dr.Kedar tells him about Bhavani Shankar's (Utpal Dutt) firm known as Urmila Traders. Shankar is a weird man. He is a man of traditional values, hence he naturally hates youth wearing modern clothes. He is a sports fan, but thinks lowly of youth knowing anything about sports. But his most weird trait is hatred towards men without moustaches. He thinks that men without moustaches are characterless.
  Ramprasad has a moustache. He takes care of other problems by wearing kurta & feigning ignorance about sports. Bhavani hires him immediately. Ram is a hardworking guy, so Bhavani (& Ram) have no problems. However, Ram once takes leave by pretending that his mother (who died many years ago) has taken ill, and goes to watch a hockey match. Bhavani Shankar, who also attended the match, sees him there.
  The next day Bhavani summons Ramprasad to his office and asks him about the Hockey match. Remembering the plot of a movie a friend of his is shooting, Ram convinces Bhavani Shankar that he had seen his "moustache-less" identical twin Lucky (alias Lakshmanprasad Dashrathprasad Sharma) at the stadium.
  Bhavani Shankar buys his argument & feels bad about accusing him and decides to make amends by hiring Lucky to teach his daughter Urmila (Bindiya Goswami) music. Ramprasad reluctantly shaves his moustache to become Lucky and starts to teach music to Urmila. He is helped by his actor friend Deven Verma (playing himself).
  Now Urmila aka Urmi is the exact opposite of her father. She takes immediate liking to Lucky, while Ram is barely noticed by her. Bhavani notices this & gives Ram another job to tutor on the pretext of her exams. Meanwhile, Mrs. Srivastav (Dina Pathak), a socialite, is roped to play the part of Ram, "Lakshman" & Ratna's mother. Like Ram, she also ends up playing her own twin in front of Bhavani.
  Ram decides to tell Urmila the truth. Urmila tells him to tell the truth to Bhavani as well. Ram goes to Bhavani to tell the truth, but Bhavani sees Ram's moustache giving away. Bhavani exposes Ram, but ends up thinking that Lucky murdered Ram & impersonated him to marry Urmila.
  In a hilarious chase that follows, Bhavani ends up totalling a police jeep. The Senior Inspector (Om Prakash) mistakes him for a thug named Pascal D'Costa & is about to lock him up in the jail. Only when his Inspector identifies Bhavani Shankar by his real identity is he freed. By now, a harried Bhavani has developed hatred for twin as well.
  On coming home, he finds that Urmila & Lucky are married. He refuses to give them blessings, until Dr.Kedar comes to the scene & explains the whole situation. Now, Bhavani becomes even more furious, but on everybody's insistence, relents. The film ends with a family photo of Mrs.Srivastav, Ratna, Urmila, Ram, Dr.Kedar, Bhavani's sister Kalindi (Shubha Khote) & Bhavani (who is shown without moustache).

评论:

  • 吉俊茂 1小时前 :

    看完全程没有惊喜点 不会有让你意外的地方 和失望的 地方

  • 旷海蓝 8小时前 :

    跟十年二十年之前的港片没有区别啊,内地刑侦片都讲究证据先行了,港片还在讲兄弟义气,这部片个人英雄主义太强了,弱化团队合作。那我不如直接看欧美枪战片啊。

  • 卫昊 5小时前 :

    警匪片存身之所在于「义」。「义」让「匪」有了共情基础,也有了人物情感复杂性,好人抓坏人那是悬疑片,不是警匪片。这么看来,似乎更像是道德拷问,为了让剧本出新,警匪片得将「义」置于各种复杂含混的、脱离真空不带电没有摩擦力的球形鸡的理想状态的语境下追问。当邦在不公正的环境下允执厥中,如实供述时,这是纯净的义吗?这只是局部的义,他的义导致了最终的不义。这是敖率先获得共情的基础。而定时炸弹那场体现出他对当时上司的言行浑不知情,这是剧本对他的开释。而当敖等人为了复仇而大开杀戒滥杀无辜时,他们还能用自己蒙冤受屈作为挡箭牌吗?最终身份互换的质问下,邦的眼神说明一切。

  • 卫华 9小时前 :

    最后圣母的雕像挂在墙上拯救世人,可是谁来救赎他这个破碎的灵魂?

  • 宝雨信 5小时前 :

    果然无间双雄才是港片那味儿,塑造了系统内从“棋子”变“弃子”的本土小丑“反派”,另一边的反派是资本和官僚的合谋,黑白两色之间的“敌基督”,都是这个体系的“犹大”,拒绝进入“你懂的”默契,坚持一种“不懂不明白”的执拗,结尾一个钉穿手掌,一个刺穿心口,都是“一盘大棋”里的替罪羔羊和献祭。

  • 卯觅丹 0小时前 :

    没有外界吹嘘的那么好,可能国语配音有点影响,陈导一路走好。

  • 俊恒 1小时前 :

    的的确确是老港片的荣光了!有坚实的精神内核、逻辑自洽的剧情、火爆硬核的动作场面、性格鲜明的人物群像;结尾的街头枪战更是有《盗火线》的凌厉剪辑和《贼巢》的漂亮运镜,爽得一度泪目。以前觉得谢霆锋是个土里土气的洗剪吹,看了这片子发现还是个怪好看的洗剪吹。

  • 德依美 3小时前 :

    从人变成鬼其实是一件很简单的事。导演很有追求,他希望用影视的方式揭露一些现实,引起人的警戒和思考,而他也做到了。谢的角色从开始的令人厌恶,到事情逐渐揭开,你发现原来他也曾是阳光快乐有血有肉的人,事到如今,有他自己的边界失守,更有这社会层面的层层剥削,他的境遇开始变得让人同情,甚至某一刻你会想象他除了死是否还能有更好的结局?最后导演让那些作假的人和男主一同消失了,仿佛他借着电影也发泄了对这个世界某些不健全部分的不满,仿佛他还有一些作为义愤填膺者也需要坚守底线的感叹,还有对于是否要鱼死网破才能让这个世界看到的悲壮思考。大多数人就像甄子丹角色说的那样,不是非黑即白,他作为这个影片中留到最后的角色,是导演心中理想化的客体,是人类的超我,也是我们对这个世界秩序的期盼。愿如导演所愿,这个世间没有腐败。

  • 乌雅恬畅 0小时前 :

    陈木胜导演遗作,基本上可以预定今年最佳港片和最佳警匪片了,戏中卑劣的香港警队制度设定也极度贴合现实,“我认输,但我不认命”也像是在遥相呼应手足,打戏拳拳到肉,肾上腺素爆表,谢霆锋简直帅爆,但文戏略弱,起承转合处也略微生硬,甄子丹的文戏在谢霆锋面前显得极弱;从《拆弹专家2》开始,香港警匪片就进入了一个新的主基调,警队那些伟光正的设定从此让位于一个带有原罪的设定,一切尽在不言中

  • 侨彭魄 6小时前 :

    你永远可以相信陈木胜电影里的谢霆锋,太帅了,真的太帅了。现在的环境下,香港警匪片怨气真的太大了,不知道类型片研究会不会提出一个愤怒的时代的新概念。(秦岚那个角色竟然是小学舞蹈老师,甄子丹在体育馆救老婆那场戏实在是想艾特我师兄

  • 彩莲 0小时前 :

    有视频拍摄经验的都知道拍电影的不容易,拍动作片的难度很大的。

  • 中若兰 2小时前 :

    霆锋现在有演技了,不是年轻时那种只会狠狠的样子了,会了很多能表达内心的“小动作”,细节也有了,整个角色就丰富很多,但其实表达蒙冤创伤的部分还是太粗糙了,那种在友情中受伤的感觉没有很到位,但这都该是编剧和导演的锅。霆锋的美真是动态的,看剧照和看正片完全两个感受。动作戏尚且算是好看,追逐已经僵化到会看困,最可惜的是两男的情谊,刚刚掀起一点波澜就完全被压制下去了,编剧就是个shi,完全没在这方面发力。为霆锋的演技可惜。甄子丹的文戏近乎尴尬,还是不要给他这么重的负担演需要心理需要表演的东西了。

  • 怀曼冬 4小时前 :

    谢霆锋还是那个病态体,甄子丹还是那个不倒体,陈木胜不会再有了

  • 丰夏青 9小时前 :

    看完,剧情还是有点老套,不过现在也没啥新意,觉得完成度不错

  • 和沛山 1小时前 :

    不能也不该对标《拆弹2》。虽然都是怒火,虽然人物动机相似,但是甄子丹不是陈青云,谢霆锋不是刘德华也不是谢君豪。这是属于陈木胜的《怒火》。

  • 始白梅 5小时前 :

    7分,感觉剧情设置上和《拆弹专家2》有些重复,相似的白变黑故事,相似的价值取向冲突,不知道这是不是未来港匪片的标配了😂。特效和动作上还是没话说,两位男主间的打斗依然精彩。

  • 卿柔洁 3小时前 :

    这部片子,几场动作戏让人带入了2000之后的那段港片中,味道对了却拖沓了些。其次,感情输送似乎出现了问题,反正我是没闹明白那个最早自杀的兄弟问题和其他人的感情纽带。谢霆锋在很多年之后又贡献出了一个绝佳的反面形象,突破了很多狂躁喧嚣的表演模式。

  • 慎安容 7小时前 :

    招牌动作戏想尽力做到写实,可惜出来效果又假又到处都是威亚痕迹,剧作也是刻意地在努力维持过关水准,相较于90年代的冲锋队怒火街头,不进反退。Benny导在天之灵,3星吧。

  • 云梅 1小时前 :

    很少看到这么精彩的动作戏了,果然动作戏还是要看港片

  • 卫红英 6小时前 :

    甄子丹那几场贫民窟打斗以及和谢霆锋对打的动作戏调度真是让人酣畅,看到了《导火线》那样精致设计的暴力感,只是那几场马路车戏追逐竟然是后期电脑制作的,CG感非常明显。基本回归到了当年香港警匪片的巅峰制作水准,依旧是常规套路的犯罪情节,节奏还是如此紧凑,几乎没有废话没尿点,当然,也是直接粗暴,整体基本上就是当年香港警匪犯罪电影工业的一流制作流程(如果没那么多后期CG制作),可以看做是近十年最好的香港动作戏。没想到这么多年了,华语警匪题材还是只能是前香港电影人才能拍得出来,在当下华语制片环境值得4星。缅怀陈木胜!最后,十几年了谢霆锋还是这么帅,妖寿餒。7.6

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