Haunted by the memory of Walter Holderlin, a soldier he killed during World War I, French musician Paul Renard (Phillips Holmes) confesses to a priest (Frank Sheridan), who grants him absolution. Using the address on a letter he found on the dead man's body, Paul then travels to Germany to find his family.
As anti-French sentiment continues to permeate Germany, Dr. Holderlin (Lionel Barrymore) initially refuses to welcome Paul into his home, but changes his mind when his son's fiancée Elsa identifies him as the man who has been leaving flowers on Walter's grave. Rather than reveal the real connection between them, Paul tells the Holderlin family he was a friend of their son, who attended the same musical conservatory he did.
Although the hostile townspeople and local gossips disapprove, the Holderlins befriend Paul, who finds himself falling in love with Elsa (Nancy Carroll). When she shows Paul her former fiancé's bedroom, he becomes distraught and tells her the truth. She convinces him not to confess to Walter's parents, who have embraced him as their second son, and Paul agrees to forego easing his conscience and stays with his adopted family. Dr. Holderlin presents Walter's violin to Paul, who plays it while Elsa accompanies him on the piano.
The film's original title, The Man I Killed, was changed to The Fifth Commandment to avoid giving "wrong impressions in the minds of the public about the character of the story." It ultimately was released as Broken Lullaby.
虽然大部分还是常见的套路，但观感还是很不错的
少年的心事是永远的故事，成长的惨痛是一生的经历。父母的离去是扯破你托底飞翔的翅膀，教你做爱是让你展望未来，想拍电影，是我想逃避再制造一个新的生活的借口。从法贝托身上看到了甜茶般干净的灵魂和清澈的眼神，又洞察复刻了阿黛尔的欲望，可他终究是懦弱的，没有勇气的菲利波。只有参透现实的痛楚与做人的方向，才会看到小修士为你送上的祝礼。青春的痛和欲，成长那些事，都在意大利的海边那不勒斯发生，随着开往罗马的列车远去。
人物脸谱化还是比较严重，还是熟悉的套路。山姆罗克韦尔的声音还是很有辨识度的，最后拍拍小豚鼠的那个动作，真有魅力
节奏很快，无厘头风格的盗亦有道好蛋联盟，值得寻味的是，鲨鱼角色从哈利奎因开始一直都是蠢萌状态，这种反差萌反而能起到更好的喜剧效果。
几乎没有创意，反转的情节和人物都仿佛裸熊里的考拉。对了，为什么荷兰鼠都能说话，而猫不会说话？为什么人类的世界护狐狸是州长？
❶意大利一家人；
2.5 前半段高仿阿玛柯德还不错，中段转折后感觉已经看过很多类似成长/乡愁电影，导致并没有任何记忆点/特点，换个意大利导演来拍估计也能拍出差不多的东西，看完既忘。
《超级大坏蛋》的团队版，动画和剧情都没啥新意，说教意味太明显。
最欢乐的是开场那段，旁边的人笑的全场最开心！
无病呻吟，和莫莱蒂一比高下立判。会学费里尼也不代表会拍电影，下次别拍了。
Good is No Fun at All
能感受到片子想在画风上走一点蜘蛛侠平行宇宙的那种漫画式的画风。但是又做的不够极致，所以导致最后的效果有些迷。有些地方甚至像渲染没设置好的粗糙样片。
难道不会想到怪盗基德。
诶？动物故事，台词“我让你承认你很在乎我，梦回《疯狂动物城》
有的桥段挺酷的，有的只顾着爽，硬伤太多了。为了awkwafina看的，可惜小蜘蛛戏份不多。坐我旁边的小姐姐看得很开心，全程“太酷了吧”说不停。
疯狂动物城+X特遣队的既视感。画风很喜欢，三维+二维。刻板印象+以貌取人，确实是普遍现象！
一眼到底的爆米花动画片。中规中矩。鲨鱼的蠢萌造型好可爱。
三星半。前面有点无趣但渐入佳境，狐狸和狼kswl，山姆洛克威尔的声音真好听啊
首先这是「福瑞控」活着就不能不看的片子！狼+蛇+鲨+鱼+蛛+狐+鼠.... 套上特别养眼的拟人画风，谁能顶得住？我看完真差点转变这控了。总之你喜欢帅气的毛绒绒动物吗，别犹豫了快去舔吧！（如果您喜欢《极盗车神》那您必喜欢这个）这片最浓郁的就是将欧洲风土人情的文化浓度发挥的很极致，不管是坏蛋们的穿着打扮或各类街道符号以及语言文化魅力都安排的恰到好处，也好比《疯狂动物城》的精神续作...同时我感觉这片的主题流程也可能表达了这个老道理：【敌人的敌人是朋友】
索伦蒂诺需要一些奇观的画面才能让他的幽默逻辑放大，与绝美之城和年轻气盛相比，这片只能在家常生活中用各种小技巧来制造张力，难免有点疲倦。不过个人记忆回忆满满，意大利真的到处都很美
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