剧情介绍

  After some misunderstanding, Sakaguchi is hired to make a tourist guide video on Tobako (a fictitious name for Kawaguchi) in the outskirts of Tokyo. This element in the script sparks off a fanciful wandering strewn with unexpected meetings. First with Kitagawa, thanks to whom Sakaguchi landed the job. Then with a seamstress, and then with Yoshino, with whom a half-hearted romance emerges. Thus the narrative unfolds, in halts and swerves, espousing unexpected meetings, and offering the strolling character an opportunity for displacements from one place to the next. The deserted town has come to a standstill – the shooting took place during the lockdown – and this acts as a metaphor for the idleness of the characters. Garden Sandbox is light and nimble, whereas its main character hasa limp. Her demeanour and her stiff body exude a peculiar quality, somewhat comically at odds with the setting. Apathetically playing along, the young woman gleans from each character some pieces of information about the town and, then, touch by touch she delineates its picture: ultimately, the place comes acrossas a post-industrial locale whose foundries are now obsolete. Sakaguchi’s very meanderings lead her to a rich family’s house for a sewing lesson. In this pivotal scene, the lady of the house invites her to don an upper-class wedding dress. Through a gesture both radical and powerful, which itself informs the dynamic of the film as a whole, a gleeful snip of the scissors transforms the item of clothing into the ultimate chic of haute-couture design. What weaves together this truant escape whose motifs and fabric seem inspired by Jacques Rozier’s films, a crumbling industrial heritage and the transforming of a traditional wedding dress? With Garden Sandbox, whose title is a reference to the type of sand used in the foundries, joyfully and playfully, Yukinori Kurokawa interrogates the concepts of mutation and (re)use as sources of boundless possibilities. (Claire Lasolle)
 

评论:

  • 锦芙 4小时前 :

    哈哈哈。电影本身一般,感觉像一个大糅合,猫咪的感觉好像哪吒,光头强变小变帅脸变短了,牛夫人感觉也好像某个动漫人物,再融入科幻元素啥啥的。。。一些台词也是觉得,emmm一言难尽吧。

  • 诸葛傲之 4小时前 :

    作为儿童动画片,其实还可以,就是剧情走的有点慢。

  • 淡芸欣 1小时前 :

    有了孩子之后果然会不时遇到一些惊喜 比如看了本片,另外这是蛋蛋和爸爸妈妈一起看的第一部电影,纪念一下~

  • 隋湛娟 1小时前 :

    画面大戏都还行,就是剧情有点老套,然后牛夫人可以冲!

  • 盛博明 0小时前 :

    阿布坏孩子时的建模,神情,配音,表演方式,跟魔童哪吒里的小哪吒简直一模一样,应该有借鉴?

  • 露寒 9小时前 :

    画面还是很棒的,没想到国产动画已经到这个地步了,让人惊喜

  • 梅彩 1小时前 :

    看完日常番直接看这部电影,有一种看完速一街头飙车就看速九开车上天一样的感觉。故事很套路也有很多模仿借鉴,整体还可以。就是疑惑怎么人熊也和平了?这一基础设定的改变是熊抄羊还是羊抄熊,还是上级统一安排部署?

  • 计冰彦 6小时前 :

    虽然很多梗是老的,但作为一个不属于80后的IP电影,陪孩子看一次竟然发现还不错

  • 阚凡霜 2小时前 :

    5特效炸裂

  • 芃材 7小时前 :

    片子还行,不过这还是熊出没吗?主角换成喜洋洋也不违和啊,还有那个女反角,旗袍开到腰上了,也太性感了吧,这还是老少咸宜的贺岁片吗?

  • 梦碧 9小时前 :

    值得说的是这部片子的特效,关于这个话题,这两天看到一个有意思的说法。说是从2014年以来,熊出没每年春节档大电影票房成绩都很稳,每年都能在前五左右,去年那部卖了3.7亿,赚得乐开花。再加上卖玩具IP,主题游乐园收入,熊出没制作方财大气粗,能够有底气,拍出好莱坞大片级别的科幻特效。

  • 祁沐东 8小时前 :

    不过画面赶得上迪士尼了

  • 晋芷雪 4小时前 :

    儿子要求看的,上初中的他看得嘻嘻哈哈,高兴的不行。画面和特效依旧在线!但对很小的还沉浸于熊出没电视动画片的孩子来说,我觉得会害怕。后面的打斗对大人来说,让人丧失兴趣。所以,从受众的接受度来看,并不讨喜。

  • 独秋玉 2小时前 :

    科幻是一种浪漫,机甲是一种手段,信赖是一种温暖。

  • 费烨煜 5小时前 :

    有了孩子之后果然会不时遇到一些惊喜 比如看了本片,另外这是蛋蛋和爸爸妈妈一起看的第一部电影,纪念一下~

  • 纪晨旭 2小时前 :

    熊二好可爱,我也想过当英雄拯救🌏。

  • 邸碧灵 1小时前 :

    去电影院前还有点怨念,去之后,真香,很好看,大场面也很激动人心,阿布很可爱,熊出没这么多年始终都在宣扬爱护环境这一主题,并且贯彻的很好!

  • 祁逸凡 5小时前 :

    虽然难免孩童向,

  • 禄景逸 5小时前 :

    用酷炫的特效和老套的剧情缝合无数老梗、适合儿童观看的电影。

  • 枫锦 9小时前 :

    都是国漫多年来的毛病了,忽略掉就是国漫崛起,可是真能只追求工业技术的进步吗,剧情什么时候能跟上啊…

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