An affluent medical professor, Komiya, and his bossy wife, Tokio, are to look after Setsuko, their high-spirited niece from Osaka. Setsuko is a liberated woman who does what she wants, including smoking, even though she is a minor. On Saturday, the professor does not feel like going to his weekend golf game, but his wife packs him off anyway. So he leaves his bag at the apartment of his student Okada, and goes to a bar with a friend. Setsuko traces him there, and insists that he take her to a geisha house. When she gets rather tipsy, the professor calls Okada to take her home, while he sleeps at Okada's. The wife becomes suspicious of Setsuko when she sees Okada bringing her home, and also of her husband when she discovers that he did not go golfing.
啥子都不行，完全一团糟，可能这就是普通人的人生吧
前半段的前情交代很沉稳，勾连老兵安置的现实问题，执行任务和角色行为细节拍得都还挺写实的（低调行事，效率至上，求生欲望），后半段大街上开始突突突就好莱坞化了，悬疑反转也是《美国狙击手》之类的都玩过的老路数，Mike被策反跟最后一场动作戏一样拍得粗糙又急躁，两主角在感情磁场和表演呈现上也远不如之前的《赴汤蹈火》
“他们抢劫来的，是他们准备释放的病毒的解药，以便在人们的痛苦中狂捞几十亿”。还是你们美国人懂美国人。
看了几分钟看完一部电影，还不错，但是不值得花1个多小时看
要不是主演的颜值还能看 应该不会坚持看完…电影节奏有问题，故事线也不清晰…
末世废土，一人一金矿，自然惊悚，极简摄影，化妆技术牛掰
前戏太长，故事单薄，为啥要做掉主角？为啥一帮拿着美国护照的b可以在德国街头打CS？为啥最后大暴斯是谁都不知道就干死了个承包商，还搭进去了配角兄弟的命？难道就因为他说过类似我死了你帮我带口信给家里人这种不吉利的话吗？干嘛对配角的话这么较真，非得弄死人家？主角你tm后来带信了嘛？
贪婪要不得 要是我 敲一块带走 此地不宜久留
男主大脑短路，敢在一望无际的大沙漠里等一个陌路人，人家不回来你怎么办，拖车带回来了，还要你干什么？
Ben Foster继赴汤蹈火之后又为了哥哥死了一次……
每一步都猜到了，People Ain't No Good.加一
贪婪掩盖过诚信 终究防不住暗箭
马马虎虎 一部拍人性的电影 但彼此之间的防备要怎么量化呢
的确很像等待戈多！中间一个小时真的太绝望了
黄金比较软，用小刀，铁锹，锤子，花点时间，敲出来几块，分解搬运出去。
2022年了，还拍这种cliche认真的吗？
风景粗犷，不少镜头较好。荒漠发现搬不动的金子，正常人难道不是每人先敲下几公斤揣走，先发笔小财，再一起去找挖机么？
看三分钟解说都嫌长，这种一句话剧情没必故弄玄虚拍出来。
将希望寄托于他人 下场都不会雅观
逻辑有问题，任务好歹也完成了，接走负伤的队员不是最好的选择？
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