"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide
"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.
The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson
"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum
假使從政治正確的觀點來說，把白人換成黑人，在西部片裡大打出手、亂槍齊射...，並無不可；只是違和感重了些。
網路評分越來越不可信⋯⋯ 又浪費一個movie Night
好一西部武侠片。
拿刀是为了吃口饭，江湖儿女，但行好事，莫问前程。
故事很空洞。布景有东邪西毒、双旗镇刀客的赶脚。
Perfection from start to end
分两次看完的，没那么吸引我，复仇之渊，复仇的人越陷越深
他的妻子代表着平静美好生活，十年前被陆谦破坏不得不离开，十年后，并不接纳他。
作为网大还可以！一个长得像张震，一个长得像赵立新，一个长得像徐锦江。刀刀溅血，杀人不废话，布景用心有质感，动作利落无慢镜，光凭这几点就完胜热搜上的一堆古装剧。PS：回马刀真是YYDS！
刀口上这碗饭，端上了，就放不下。 人这一辈子，干一行爱一行，始终如一，这也是对自己的敬重！ 电影好看，不可多得的武侠片！
给有心的网大一点鼓励。动作设计学的徐皓峰，故事是西部电影。虽然还是有很多缺陷，但没有网大那股急吼吼用最傻的东西骗观众的劲
故事简明的复仇题材西部片。特点在干脆的剧情发展，没有过多铺垫不拖沓，角色潇洒随性，没有过多“啰嗦”。亮点在动作戏，各种死法有点新鲜。特别是片尾处 boss的真相告白有些意外，其实从前面他逗孩子和让捡金牙也能看出一点蛛丝马迹
即便是徐导也只是卖好不卖座
黑人电影，但不纯粹，路人角色有白人，西部黑帮片，节奏挺传统，慢中有稳，台词俏皮话很现代，画面配乐都不错，就是对话多有点墨迹，耍帅有范儿，故事没啥意思，6.5
曾经有个前辈对他说：刀口上这碗饭，端起了就放不下。
诚意满满，动作犀利，介于徐浩峰“师父”和剑雨等传统武侠之间，就是故事设定略显不足，侠的精神也没有表达彻底，但是也不失为一部好的作品！武侠后继有人的赶脚
打斗的一般不说，台词一点气势没有，太过苍白无力，演的比偶像剧强一点。别说跟《新龙门客栈》经典老港片比，跟《双旗镇刀客》的草莽之气也差了一大截。5
王家卫的武侠意境，徐克的武侠风格。(还有邵氏的风格)
黑人西部片？开什么玩笑，那时黑人都还是奴隶吧！不过枪战还是很精彩的，不在乎黑人这个瞎扯的设定，还是可以看看的。
没有武，没有侠的日本浪人风格片。剧情咋这么像水浒林冲
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