The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
一般。看题材以为会很有意思,但拍的不太好。女主的蓝色头发太好看了!
我竟然不脸盲了,帅黑警总感觉像帅了的张颂文
2星➕一星因为提醒了我牙齿烂了要及时看医生😥
(瘫坐在床脚的那一段 视觉化了共情的痛苦 很遗憾身体上的表现没有能够一起展示
新时代新冠疫情下强迫社恐人士因为人工智能信息安全保护女性权益之《后窗》,前奏冗长,镜头重复,几乎只爽在最后10分钟。(ps女主的家看着好舒适
[视]露点,微血,导演<切勿擅动><神偷联盟>。口罩,洗手液,居家办公,人工智能,心理医生,户外障碍,左手执笔,右手鼠标。西雅图,大数据,大型科技企业,一体式房屋结构,后窗题材,摄影配乐独到,高潮前全是文戏。佐伊·克罗维兹
废镜头也太多了…四倍速都嫌烦,只有最后十分钟能看。
整场的拖沓被装修工具干净利落的5分钟搞定。
单薄的剧情,其实拍个四五十分钟的电视剧足够了
导演的镜头语言非常非常棒,但是剧本实在是太拉了。后窗,坏老板,钉枪少女反杀,这些真的完全没有一丁点必要,绝对的狗尾续貂。
Can’t really finish it, the actress is way too egregiously annoying and constantly distracted me.
前面好长 好不容易看到钱女主反杀…就那么几分钟…然后没了 有点失望
保持锻炼,才能比别人跑得更快,动作更敏捷,思维更清晰,最终实现完胜
剧情简单略无聊,场景就一个(家),没有发人深省的思想内核,拍得很一般。
PS:我再也不相信那些“故事为王”“观感为王”的观影准则了,今年就判错了一些电影和动画,离大谱了。
把靈魂出竅弄成奪舍倒是很奇妙,結尾模仿約翰·威克。
大数据之下,每个人都无所遁形,接收信息、发出信息的渠道多了,被监控、被搜索的渠道也多了。窥视,以前通过窗户,现在通过电子信息。1319
很难想象这是拍过《性,谎言,录像带》的索德伯格拍出来的。。。但两者确实没什么可比性。。。
女主好帅 我也想过这种生活 但还是太把信息技术相关专业理想化了…anyway 活在科技互联里的感觉真爽~
3.5除了结局的突然反杀很突然
Copyright © 2015-2023 All Rights Reserved