With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
女主角很可爱，继朱茵之后最好的一个版本紫霞仙子。
众多翻拍大话西游中的一部，个人感觉甚至比葡萄后面的那几部都要好，两位主演演技都在线，还有达叔，九孔，袁祥仁。关键是剧情没有拉胯，特效勉强凑合，算是网大中的佼佼者了，可一看！
一世点灯 三生羁绊
特技三毛粗糙，悟空造型雷人，
國內的電影行業放過《大話西游》吧，不要再消費《大話西游》的情懷了。這片依然是網大水平的廉價特效，網大總是看起來像是製作人員不願意花時間花精力打磨細節，當然，也可能是礙於投入的成本不高。螞蟻精出來那段，一堆螞蟻跑出來，看起來都是糊糊的，效果不好，一點也不嚇人，不會讓人犯密集恐懼症。雖說看得出這片也有導演對『大話西遊』的另一番新解讀，但總體的劇情還是無趣，copy太多原版的梗。懷念達叔。
●8.3分
灯妖大战《星河舰队》虫海，满打满算1小时10几分钟的电影，就记住了一句话：我一直想把你变成我喜欢的样子，可我早已离不开你现在这个样子。
不过剧情方面，还是相对可以的，每次《一生所爱》响起的时候，就有点被拉进前两部的镜头中去。问世间情为何物，只教人生死相许！
特效也能看得过去。达叔演配角，无功无过。九孔大反派，除了台湾腔出戏，算演的不错。
剧本感觉串的蛮好！作为不知名电影的话，感觉很好了，不算消费情怀！值得一看！
中国网络电影的一个通病……有可能是时长太短的原因，细节太差了。电影完成度还是可以的，故事很完整，但细节太少，根本看不到紫霞和至尊宝的爱情在哪里……紫霞来找至尊宝，至尊宝拔不出宝剑，紫霞要走，至尊宝想跟着，都合理吧。然后两人之间感情到底是怎么产生的？大反派九孔，多点细节也会好一些。但没有细节，导致他突然跳反也没什么感觉……另外因为套在了大话西游的壳上，剧情实在没新意，怎么整都是那个样~演员还行吧，演技不差，但看不出演技好。紫霞不像个仙子，更像个人间烟火气息浓重的小丫头。
感觉不差啊。是有点小朋友努力想做好，但是水平就那样的感觉。诚意有，水平凑合。
在网大里还算可以吧，达叔遗作的宣传噱头稍有夸张
演员很一般，大概是期待太低了吧，没想到故事还可以。
"任何人都可以是齐天大圣"立住了，观音大士撑起来了片子的立意
这个紫霞仙子还挺灵动的 耐看型美女
话说这种没有逻辑的模仿。。。
挺好的啊，起码比那些投入巨资洗钱的拍的要好，剧情挺好
大话西游的剧情记不清了，这部的故事编的挺有逻辑，女主漂亮，男主演得不错，可给四星。这俩演员原来以前都见过，特别是女孩，这么漂亮怎么没混出来呢
粗糙的特效，廉价的布景，简单的剧情，还是让我在最后15分钟破防。哭的稀里哗啦的。只能说，我回忆起前2部的大话西游了。哭的稀里哗啦。
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