With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
不断致敬《蜘蛛侠》和漫威其他造型，总的来说是个好结局吧
制作还行，剧情大杂烩，立意还行拍的不深，原创不够，推荐看《天空之城》，技术还有点差距。小心资本主义🤐
带小朋友一起去看的 他很满意 我也觉得还行！
算是儿童向动画里好看好玩的了，只是里面太多网络梗了。
小朋友都喜欢看，各种东西方动画的杂糅。创新不行但是制作精良，诚意之作
从此以后熊出没从我的春节电影list中移除
熬完无聊的开头 阿布出现后开始有趣 不断有拍案叫绝的特效场面 也有许多科幻作品的影子 熊大和光头强几乎没有作用 煽情段落无感可能是我年纪大了 在搞笑中也有触动我儿时情怀的地方 专门设计了放慢的3D元素扑面而来让小朋友伸手去摸 明年有机会我还来接着看
可能借鉴的桥段多，但是如果目前国产电影百分之五十以上用这么真诚的态度借鉴和转化，国产影迷都要烧高香。
特效没进步感觉还倒退了，熊二带资进组，好多次大电影主角都是他。中间有一段突然跳到了迪士尼有点尬，牛夫人倒是挺好看的哦，我想做曹操
也到了跟孩子进电影院的年龄。看得挺爽，与我刻板印象中的国产儿童电影比，特效很精致，动作戏流畅连贯。儿童电影剧情就必须为孩子服务，过年热热闹闹看看，挺好。3D没什么必要，减分项。
5分 带侄女去的 第一次看这个ip 还可以吧能看下去 但是还是缺了一些创意和审美
这是抄了多少，黑豹、七龙珠、海贼王、哥斯拉，真服了
环太平洋，钢铁侠，美国队长，蜘蛛侠，黑豹，复联，X战警，毒液，古墓丽影，穿靴子的猫，奥特曼，还有哪部电影?
看电影前带孩子去了一趟电影博物馆。最让我难过的是，中国动画片已经越来越没有自己的风格了。
带孩子看的，超出预期，特效很牛，经费燃烧了很多啊，片子竟然让大人看得津津有味
今年的熊出没真的不错，惊喜。剧情虽然老套，但是一点不拖沓，全称没有尿点。里面甚至还结合了好莱坞的歌舞片。喜欢。
陪我弟看，一些思维幼稚是难免的，毕竟给小孩看，但打斗场面可以，自己配音二胡笑晕，非无脑绑架而且歌舞剧蛊惑，有点意思啊。不过很多笑点小孩反而看不懂，果然动画片是给成人看的吗
可能借鉴的桥段多，但是如果目前国产电影百分之五十以上用这么真诚的态度借鉴和转化，国产影迷都要烧高香。
旁边的小姑娘都看哭了，还好这回我有带纸，可是我忘了！
陪女儿看的春节档第一部电影，阿布简直是钢铁侠+黑豹+毒液的合体，后半段看出环太平洋的既视感……动画技术已经相当成熟。
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