To the south of the Indian metropolis of Surat in Gujarat province lies a vast industrial zone that has been growing ever since the 1960s. Director Rahul Jain filmed the grueling daily routine in just one of the many textile factories there. In the factory, man and machine seem to have fused into one being. It is dark and dank, and barely any daylight penetrates the space. The labor is heavy and mind-numbing, and the work days seem endless. We are drawn into a gloomy world where the cacophonous beat of machinery sets the rhythm of toil. Jain is as interested in the mysterious connection between worker and product (the fabrics are treated mechanically, but also with love) as he is in the degrading conditions. Each shift lasts 12 hours, for adults and children alike, and wages are extremely low. Short interviews are interspersed throughout the observational sequences, some of which are captivating in their beauty while others are painful to watch – such as when we see a boy nodding violently in his struggle to stay awake. (From IDFA official website)
名为剧场版其实是两个短篇。熟悉的味道……小妖的执念，追随的执念，附身的执念，胜负的执念……当然最后都会被平和地化解，本身也是相当平淡的冲突。
シネマフロンティア。被感动的点还是“约定”。
就像是和老朋友见面一样，特别的温暖治愈。但是真的太短了！不够看呀！
名为剧场版其实是两个短篇。熟悉的味道……小妖的执念，追随的执念，附身的执念，胜负的执念……当然最后都会被平和地化解，本身也是相当平淡的冲突。
啊啊啊啊啊啊啊啊啊啊啊太可爱了三三老师！！！！！夏目我爱你！！！！！
夏目的剧情不重要，重要的是夏目的存在，只要存在就是美好。
2021年还能看到夏目的OVA就已经泪目了。本质上是两集TV版的集合，标题已经非常明显的说明了，制作上会比赶工的TV版精致多一些，如果能放三集，合并成1.5小时的长度就更好了。
夏目还是很温柔 猫团子好像更团了
我看的时候记得片名的翻译是《唤石者与怪异的访客》呀。
王小波有一本书叫《红拂夜奔》，电影里拆开来做了咖啡馆和杂货铺的名字。
这…不是剧场版吧，就是tv版连放。也就是b站送会员看一眼不亏，要是电影院看估计我要狂怒给一星了。夏目很好，但是不是把tv版质量放剧场的理由。以及这两集很水，远远不如漫画里的故事（比如山神）。
只要这番不完结，我就一直追下去！我永远是夏目三三的真爱粉！
终于有点空档补番～
我已经变贪心了， 看完这个就忍不住想， 什么时候才有第七季呢
夏目确实是情怀番，两个单篇相对而言更喜欢唤石，不过都不算多么好的一篇。
从来不羡慕能拥有那本友人帐 只羡慕夏目有娘口三三呜呜呜！！！
三筿的人形真是帅呐hhh（虽然慢慢知道了剧情大概的模样，还是很喜欢呢～如沐春风的温柔百尝不腻不是吗？）
没想到那匹马人形这么帅(´▽｀)夏目就是太温情了，没什么波澜起伏，妖怪也越画越随便
越来越敷衍了，剧情也是看过转头就忘那种，就两集剧集的长度拼拼凑凑也好意思叫剧场版，除了卖情怀还剩下什么？
夏目里傲娇的角色这么多，还不让人讨厌，作者也是厉害。
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