In 1976, Karen and Barry Mason had fallen on hard times and were looking for a way to support their young family when they answered an ad in the Los Angeles Times. Larry Flynt was seeking distributors for Hustler Magazine. What was expected to be a brief sideline led to their becoming fully immersed in the LGBT community as they took over a local store, Circus of Books. A decade later, they had become the biggest distributors of gay porn in the US.
The film focuses on the double life they led, trying to maintain the balance of being parents at a time when LGBT culture was not yet accepted. Their many challenges included facing jail time for a federal obscenity prosecution and enabling their store to be a place of refuge at the height of the AIDS crisis.
Circus of Books offers a rare glimpse into an untold chapter of queer history, and it is told through the lense of the owners' own daughter, Rachel Mason, an artist, filmmaker and musician.
一场事故，几个被情感、被舆论、被期待所裹挟的人。群像悲剧在结尾看似和解，然而命运终究留下了一片空白……
美国有超人，中国有超熊。熊出没的故事一向都很光明，这部动画科幻大作真的让我大饱眼福，永远支持熊出没！
简单化。。。现在的日本人根本拍不了社会派的东西，看动漫都看傻了
比想象中好看。本来以为是对人性的剖析、过度报道的批判之类，没想到是一个父亲的告解过程。在司机自杀之后，从她母亲的角度终于意识到问题所在，纠结，不解，再到最后的疲惫、接受现实。
剧情怀旧风（老套路）
片子音效、画面没问题 但剧情相比前几部太弱了
父亲问他们是怎么和解的时候泪目了，寺岛忍的演技每次都可以把电影提升一颗星～
我为什么会因为粪坑的一个特效截图广告来看这脑残玩意儿？
可惜时间不能倒流 眼泪也不能回到它过去的故乡
也就是电影里面这种偏执固执的父亲能改变，现实生活中太难了
由一个事件发展变成多个事件 增加了剧情 车祸再到全员受害
思考最深的两个问题1.父母子女的羁绊2.如果我死去，我能留下什么
有点俗的故事不过剧情设计得比较巧妙，节奏也把控得不错，但回想起来它并没有提供更多解读的可能性，每一处好像都指向唯一的答案，结尾的空白也完全是单向度的。日本社会的罪感文化确实恐怖，可惜导演太直白和用力了，且大部分人物都是扁平的。
压抑。成年成年，是心理的成熟而不是简单的年纪到了
困得要死还不能睡，电影，正如这个一塌糊涂的新年…
要说错每个人都有错 要说对每个人都不对 很无力
本片描述的是坚硬的东西如何一点点被洗刷和变软.
为小朋友科普重要的科幻电影场面···技术已经足够可以了，就是没有好的原创故事
这个故事就是抄的《星际宝贝》，过分了。还有《小魔怪》。
全员善人。除了无良媒体与校长。车祸没那么惨就好了。
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