"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide
"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.
The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson
"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum
就是感觉结尾打boss有点忒随意了。不过画面还不错。挺可爱的。
剧情拉稀 设定还行妖魔就那么容易接受的么…还有最后boss也太容易了吧…
有一说一，交待背景靠奶奶不断的讲故事的确让人出戏。最后希望我们“往事暗沉不可追，来日之路光明璀璨”。
有点意思，尤其是影片中的追赶和温馨场景，狠狠地代入啦。
是没想到是个神话故事来的😹迷途之家在哪里？超想去！！！
资本主义果然不是那么好混的。那个，您二位是真的警察吧？结局很欢乐。牡丹饼吃不了三个
既致郁又温馨是怎么回事啊！天海佑希还是漂亮的啊。
最后的结局出人意料，合租养老，现实没有电影美好。
人生嘛不能贪多
妖怪向的日漫始终是我最爱看的 虽然结尾略显仓促 整体呈现不如《给桃子写的信》更深刻 但依然是治愈满满
及格不能再多，前面致郁，结尾又太乌托邦了，唯一的看点是吐槽女主进不了宝冢哈哈哈哈哈
前面还好 蛮治愈的 慢生活和一切煮物看起来是很小森林的感觉 生活在有求必应的迷途之家里
电影如果在婆婆生前葬的歌声中结束，会更好。
就是没想到被种草了生前葬！本来就是哦，葬礼为什么要死后，都看不到…
咱们东亚社会真是大同，前半段看的很窒息，中年压力全都压在女性身上，男性无比自然地躲在后面，处处落得好。后半段更像童话故事，困境一个一个童话一般迎刃而解，结尾揭示本片只是一则share house和生前葬广告。
妖怪陆续出现那几个片段不错
既致郁又温馨是怎么回事啊！天海佑希还是漂亮的啊。
羊文学的片尾曲我也不太喜欢。
很喜欢满屏都是植物的画面，莫名就治愈。
羡慕女主的乐观大度
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