Totally unawares, Saverio, a teacher and Mario, a janitor of the same school in which they both work, travel back in time and find themselves in central Italy at the end of the 15th century. They carry with them an unresolved squabble concerning Saverio’s sister, creating a lot of tension between the two, which will increase in the plot. From this moment on they will have to come to grips with the grotesque situation they find themselves in, trying to "hitch a lift" back to the future in a most outlandish way, using and misusing their foresight of the events taking place round that time, and generally making fools of themselves in the eyes of "normal" renaissance folks. Their meeting with Leonardo da Vinci is hysterical, when they become more and more convinced that the genius is in reality a moron. Another character they meet is Savonarola the heretic, who enjoins them to repent, before he is taken to the stake, eliciting some breezy comment from them. If it weren’t for a weird kind of homesickness, they would quite enjoy living in this period, full of daring fashions and tantalising damsels.
The couple shows great chemistry and is funny in every respect. The psychology of their characters is complex and credible - for once comical roles with a depth. Basically, Saverio is an embittered petit-bourgeois forever attracted and rejected by women, envious of Mario, an easy-going proletarian every woman falls in love with. Saverio is scheming, mean and vindictive as much as Mario is naive, generous and forgiving. What a match of talents: Roberto Benigni and Massimo Troisi at the peak of combined creativity. Too bad they will never come back together for another joint venture. Or maybe it is better this way: masterpieces of this level cannot be improved on, at best they can be imitated. For this reason Non ci resta che piangere will shine like a gem in the crown of the best Italian movies of all times. Sadly not many people seem to have seen it, not even in Italy, where the viewers do not need subtitles to enjoy the hilarious juggling of the two actors with the language, but their body language can be universally appreciated.
If you miss it you will have to repent!
Tv6-10，炭治郎找到了无惨；珠世给炭治郎的希望：让鬼变回人的方法是有的！炭治郎和妹妹大战双鬼（箭头+皮球）
难得新一出现了，还确定了关系，就凭这个也值得一看。
最大的惊喜就是男女主终于正式交往了，二十多年了（比男女主年龄还长…），真是让人好等……难得看到大号上线，小情侣的糖还是很好磕的~
有10年没追柯南的我，还是要来看一下新兰官宣的盛世。
4岁樱花班一见钟情，15岁纽约两情相悦，17岁伦敦告白，17岁京都清水舞台一吻定情！
17岁伦敦，大本钟下告白。
原来我等了二十多年的新兰，在这里才开始正式交往…….终究是错付了
TV版动画6-10集的合辑篇，主要是讲炭治郎偶遇终极大反派，而后遇到鬼医生和她的迷弟，被请回家，双方针对如何变回人进行了探讨，并达成合作，再遇到两个被大反派安排来的鬼袭击，最后在几人通力合作下，解决了两个鬼，基本上没有在TV版上加什么内容，看过原本的话，可以不再看这个特别版。
大自然中一切讲究生物的平衡，而《鬼灭之刃》正是采用了这一法则。在剧情中除了九柱逐个阵亡之外，作者还将画笔转向了主角炭治郎，使其变为了即鬼舞辻无惨之后新任的鬼王，在人类牺牲巨大代价之后将大家心心向往的主角进行转变
这部好看很多！而且亲了耶、案子伏笔埋的也不错嘿嘿
hhh，槽点很多，不能理解的剧情，但是看到新一的小兰在一起了，很开心10分
（后面的虽然我也有看，但感觉越发搞笑，人物之间的关联都有明确的卖点（太刻意明显）。画风也是，就像秦时明月第五部加二维码还有大电影，它就已经“被讨厌了”）不过真挚还算贯穿始终……
这个案件的主要问题在于，不好好说话。以及制片方脑子不正常。但是这些都不重要，恭祝工藤新一先生喜得名分，可以大方做赘婿，改名毛利新一了。
很多年没看柯南，大概想到柯南现在是什么水平但。。。。9.1的分是？
TV 分篇补标，因为最近刚好在重刷，就顺手标记了。
不想被剧场版骗钱，就来看看主线，没想到主线剧情现在也这么拉跨。推理都是什么胡说八道，动机也完全不是正常人能想出来的。同样是妖怪杀人和误会动机，早期《蜘蛛公馆》全方位吊打这部吧。（shine的日英双语梗我记到现在）至于新兰接吻，这不就是非常普通的中国纯爱偶像剧情节吗？而且这个场景放到600集之前和现在有什么区别吗？这里既然是兰对新一告白的回应，而且还是用接吻的方式，对兰来说一定是下了很大的决心，但整个故事完全没有把兰的心理变化刻画出来，兰就是一个在案件结束后接吻的工具人（伦敦篇做的相对好一点）。感觉青山刚昌现在已经完全放弃对人物性格的进一步塑造了，把角色的魅力点反复炒作，一点点消耗读者对角色的好感。从满月篇到达巅峰后质量就开始下滑，从波本变红就开始彻底降智，现在真是多看一集都在浪费时间
洗衣机的甜还是很甜的。
开头亚马逊女战士非常悲壮，哭了。片尾，父亲的留言也哭了。这部超长的电影不完美，但是渣导的诚意和态度足够了，完全值得满分评价。片尾的几个彩蛋走向非常颠覆暗黑，说明渣导还是想继续拍。话说DC啥时候拍弗兰克米勒的《蝙蝠侠：黑暗骑士归来》真人版
戴安对波杰克说：我小时候，那群sb虽然很讨厌，但每周末还会给我一个半小时看电视，我看你主演的电视剧，那样温馨包容的家庭，给了我对待生活的勇气。（大概）（我其实不怎么看案件，我一直拿它放松来着，小兰包容的笑容，哀自我否定和被救赎的笑容，去各种地方旅游，一种公路的感觉）
却没有一丝激动于我们共同的成长
Copyright © 2015-2023 All Rights Reserved
