Martin (John Amplas), a young man who looks around 20-years-old, boards a train in Indianapolis, Indiana for New York. At night, he breaks into a sleeping car and sedates a woman with a syringe full of narcotics. She struggles, but he tells her not to struggle or be upset because she wont feel pain. After a few minutes, the woman falls asleep, and Martin has sex with the unconscious woman. Afterwards, he slices her wrists with a razor blade so he can drink her blood. The woman bleeds to death in her sleep.
In the morning, the train stops in Pittsburgh, Pennsylvania where Martin disembarks. He is met by Tata Cuda (Lincoln Maazel) an elderly and hostile old man who claims to be his cousin from the Old World. Together, they travel by another train to the town of Braddock, a dying industrial suburb. They walk to Cuda's large house where he shows Martin his living quarters. Cuda then accuses Martin of being an 84-year-old vampire from his old country. He has taken in Martin because he is family, but tells him, "First I will save your soul. Then I shall destroy you." Martin denies being a vampire and implies that Cuda is merely his uncle rather than his cousin. Cuda then puts up strings of garlic on the doors to his and his granddaughter's room, and then holds up a small cross when Martin approaches him. Martin takes away the cross, and even takes a bite of the garlic mocking these attempts by saying bitterly, "There's no real magic... ever". Cuda tells Martin that he can come and go as he pleases. But he also warns Martin that he will kill him if he kills anyone in Braddock. He also tells Martin to stay away from his granddaughter Christine (Christine Forrest), whom arrives home from her job that evening.
Cuda introduces Christine to Martin, but also warns her to stay away from him. But Christine instead strikes up a friendship with Martin who confides in her about his vampire heritage. When Cuda later confirms Martin's claims to be a vampire, Christine, not surprisingly, refuses to believe either one. She thinks that Cuda and the other members of her family have driven Martin to insanity by making him think that he is a vampire. It is never revealed if Martin really is a vampire, or just a shy and lonely youth with troubled issues. Christine is the only person that Martin gets the courage to talk to. When Christine's boyfriend Arthur (Tom Savini) arrives at the house for dinner, Martin stops talking and backs away despite Arthur's attempt at a conversation. Christine later confides in Martin that she hopes to leave Braddock someday with Arthur, even though Martin points out that Arthur treats her badly and is both verbally and physically abusive towards her.
When Christine sees that Martin won't talk to anyone else, she buys him a phone which he installs in his room. Martin begins to repeatingly call a radio talk show where he describes what it's like to be a vampire. He becomes known on the radio as "the Count" to all the listeners. But the patronizing host (Michael Gornick) thinks he's just crazy.
Martin gets a job at Cuda's grocery store of stocking shelves, hauling boxes around, and even gets to be a delivery boy for some of the customers. One of his customers is a certain Abby Santini (Elyane Nadeau), who becomes taken in with Martin. She is a very friendly young woman who is depressed when she tells Martin that her husband is unfaithful. But Martin still does not have the nerve to talk with her, so she is happy to have someone to confide in with her life problems. Martin phones the radio show host to describe his infatuation with the housewife and senses that she wants to have sex with him. When the radio show host asks Martin if it is a sexual problem that he has involving women criticizing him during sex, Martin replies that he has never had sex with a woman who was awake.
One day, Martin travels by train to outside Braddock to look for victims. At a supermarket, he follows a young woman (Sarah Venable) home to her posh suburban house. He sees the woman's husband (Richard Rubenstein) leave for a long business trip, and Martin decides this would be the right time for more feeding. Martin returns to the house after dark and breaks in through the garage door. But it is Martin who gets the surprise when he bursts into her bedroom to find her in bed with her adulterous lover Lewis (Al Levitsky). After a vicious struggle, Martin jabs both of them with hyprodermic needles with narcotics, and waits for the drugs to take affect. He drags the unconscious body of Lewis from the house to a clump of trees across the street where he kills him by shoving a broken tree branch into his neck and drinks his blood. Martin returns to the house where he has sex with the unconscious woman. But out of compassion and pity, he decides to let her live.
Martin begins to have romantic monochrome visions of his vampire past (real or imagined), where he drained blood from a young woman and was chased through the streets of a nameless European town by a torch-lit mob.
During one Sunday at church, Cuda brings home Father Howard (George A. Romero) who asks him about the possibility of exorcism and demon possession. Father Howard calls upon the elderly Father Zulemans (Clifford Forrest, Jr.) over at Cuda's request. Together, Cuda and Zulemans confront Martin his bedroom and attempt to perform an exorcism on him. At this point, Martin remembers (another real or imaginary flashback), in the Old Country of people trying to perform an exorcism on him, and he flees them. Martin then flees from Cuda and Zuelmas as well. A little later that night, Martin terrorizes Cuda in a children's playground when he puts on a Dracula cape and puts false fangs into his mouth to pretend that he really is a vampire.
One day, Martin finally musters the courage to talk with Mrs. Santini during a routine delivery to her house where he tells her that he's aware of her attempts to seduce him and wants now to have sex with her. After having sex for the first time, Mrs. Santini becomes more depressed for she tells Martin that her husband just left her because she discovered that she cannot bear children, and that her desires towards him are based on sex and nothing else. But Martin wants to stay with her and help her move on with her life. Martin tells the radio show host about his affair with the housewife and that he no longer has the urge to attack other women.
Meanwhile, Arthur meets with Cuda and tells him that he wants Christine to leave town with him so they can get married and start a family. But Christine becomes angry at Cuda when he tells Arthur that insanity runs in their family and he shouldn't consider having children with her. Shortly afterwards, Christine packs up and leaves Braddock for New York with Arthur despite Martin telling her that Arthur is abusive towards her. But her mind is made up. Before leaving, Christine tells Martin that she really has no ill feelings towards him and just wants to make a fresh start with her life. She says goodbye to him and promises to write. But Martin knows that with an abusive and possessive man in Christine's life, she probably won't.
Depressed over losing his one true friend, Martin phones the radio show host and tells him that he's getting "shaky" and wants to go out looking for more victims. That night, Martin travels to a rough crime-ridden area of Pittsburgh and attacks two derelicts in a alley, injecting them with narcotics. He kills one of them by silting the bum's wrist and drinking his blood. Martin is about to kill the second one when a police car shows up and gives chase. Martin narrowly escapes during a long chase on foot which leads from the garbage strew streets and through a local store. Martin runs into an old warehouse where a drug deal is going down. A shootout between the two cops and the three thugs begins where all of them are killed, leaving Martin as the sole survivor who casually walks away from the carnage.
One day, Martin finds Mrs. Santini dead in her bathtub, after she had slit her writs with a razor blade. Martin anonymously calls the police to report the body and leaves. He phones the radio show host one final time to say that he really doesn't need friends or people to talk to for he is his own person. But when Cuda learns about Mrs. Santini's suicide, is mistakenly thinks Martin killed her and made it look like a suicide as he's done before. Cuda walks into Martin's room while he is asleep and kills him by hammering a wooden stake through Martin's heart.
Cuda buries Martin's body in his back garden, while over the closing credits various voices from people are heard talking to the radio show host asking the whereabouts of "the Count".
只是感觉好久没看这样的爆米花大片了，希望大麦，影院可以复苏起来
比较一般，没有清晰的主线，小朋友看个热闹
向小孩子们传递刻板印象“坏人喜欢猫咪”，这个我觉得不好
合格的商业片，把前作的主角整回来卖情怀，剧情就像打游戏过关，一关关过完主角全没事坏蛋得到报应，完美结局。
有了孩子以后没办法，3.8带着女儿和媳妇看的，还是宝宝巴士上看，毫无剧情，把那些烂装备垮了整整一个小时。
小宝居然看到不敢看
这大概就是孩子版的复联吧，拍的还挺好的。相比电视剧，扩展了地图，增加了新的女性角色（感觉要和阿奇嗑CP）。剧情也不错，主要是讲了阿奇的出身和内心成长，有个情节居然让我这个陪娃看的人有点热泪。但是就很不能接受配音演员故意装强调把阿奇叫Archie，把莱徳叫lāi的，分分钟出戏。毕竟电视剧的台版配音已经深入人心。
火烧大蝗虫然后形似陨石坠落，复刻恐龙灭绝那场戏留下深刻印象，其他的就是，soso，和近几十年的冒险片，灾难片一样的常规镜头，开始感到厌烦，人类戏太多了，似乎恐龙已经不是主角，他们只是人类之间互相博弈的一个由头，这个由头是什么都无所谓，反正都是人类在搞事情，人类才是站在食物链顶端的生物。相比电影本身，我更喜欢先导预告片序幕，近四分钟没有人类的近乎纪录片的恐龙世界，那才是真正的侏罗纪世界，我宁愿看俩小时纪录片，内容本身也就两星半吧，配乐和镜头还有点儿复古感，但给三星，以表对恐龙的尊重，结束这一切吧，别再拍了，
纪念乔治第一次去电影院看电影，不错的电影，我们都很喜欢。
无聊。故事整不出来新意就不说了，动作戏还给我拉胯，这还有啥看头。情怀完全没煽起来的老三人组？毫无化学反应的新三人组？其实这些都还没啥，最让我无语的就是第二部里挖的那么大的一个坑，你给我这么填？恶心！
就看过，画面精良合格，剧情还是蛮适合小朋友看的，孩子们看的都很津津有味的，家有娃娃的可以带娃公看。
看特效还不错。感叹一下幸好恐龙灭绝了 不然再黑市过得真惨。。。
孩子正常很开心，在阿奇被抓的时候居然在电影院大声的哭，真是个多愁善感的孩子
汪汪队：我们怎么租得起这么豪华的大楼？ 莱德队长：因为我们周边产品卖得好！
陪女儿看，我从中读出了“自私的独裁者”的意味
没错，陪孩子上电影院看的，故事情节总是太老套，但是孩子喜欢。
今天和儿子一起去看的，满分不是因为有多么的好看，而是超过了预期，这是第一次认真看进去，本以为我会全程玩手机，没想到能从头看到尾，里面不仅介绍了莱德和阿奇的相识，还有一条暗线就是阿奇的自我救赎，挑战困难，战胜困难，这个片子不是那种低龄的弱智片，狗狗救援的时候加上bgm，能让我一个30多岁的人燃起来，当时我就想到了比博燃，哈哈
好喜欢小砾，喜欢喜欢，它太可爱了😍
最精彩的部分貌似睡过去了...前面一直在找亚裔脸，好像没找着...
O(∩_∩)O哈哈很可爱的电影，还有点成人视野里的讽刺，并不完全低幼
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