Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
还有为啥老有高考情结啊！是河北传媒学院的学生都觉得自己应该重新高考嘛。。哈哈哈哈
除去毛骗粉丝滤镜给四星，加上滤镜给五星，毕竟口碑好异物志才能快上线
为啥不上院线啊！唉
后半段拍的好一些，整体电影感不是很强，加油。
题材是优映最拿手的轻悬疑喜剧，逻辑自洽，所有最微不足道的细节和线索到最后都能回收，所以我一直说优映的作品没有一句台词和一个镜头是多余的，无论是偏严肃的毛骗还是最近几部偏日常的作品都能找到一条完整而且严密的逻辑链条，从来不糊弄，充分尊重观众智商。邵庄的台词是真不错，小宝这次的角色和大森有点像，这俩货一演对手戏简直基情四射有木有，cp感太强了😂看到优映熟悉的老朋友总是一件很开心的事情，我看得也很开心，感觉完全不输一些贺岁档电影~希望优映一直拍下去🥰
太多的巧合因素造就了过分迎合大众口味的爆米花电影
作为小成本喜剧，拍的还可以了。后半段剧情有点冗长。
不过演员演技的问题暴露的更大了，期待的反转不够精彩，结尾强行嗨皮安定。
虽然有粉丝滤镜吧。。最后半天不捡钱是闹哪样。。路不拾遗这么厉害嘛。。出租车截停有点燃
真的意外的惊喜，这种小制作最怕最后崩，这个竟然绷住了没有崩掉，配乐也很棒。
看过的最好的网络电影，龙哥太tm仗义了，有底线
个人感觉这部戏有点类似于《杀不死》，剧情紧凑，一晚上发生的故事，各种反转，让人不舍得中断，一口气刷完，当相对论乐队《压路机》BGM响起的时候，我也热血沸腾了，五星好评！
全片就一个套路不停重复，疲了，缩成80分钟会好一点。三星鼓励优映的多元化尝试。
故事的最根本“借手机”越往后越不合理，强行捆绑了两个主角，即使后面再有意思，也觉得是人为制造的笑料，跟疯狂石头的多线程比起来差有点远
我一直以为是个游戏广告片，没想到看到最后竟然不是
另，邵庄一不高兴微微皱眉，我高兴得二五八万，邵半仙，你终于上号了！
毛骗团队终于有自己的电影了。
不过演员演技的问题暴露的更大了，期待的反转不够精彩，结尾强行嗨皮安定。
比非常保镖好太多了，不过类型上还是老一套没什么突破。。。有点疲劳了
如果把转折再加些黑色幽默，就更好啦，但也可能加大理解的难度和快速欢乐的效果。总体而言，还算不错。
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