剧情介绍

  After some misunderstanding, Sakaguchi is hired to make a tourist guide video on Tobako (a fictitious name for Kawaguchi) in the outskirts of Tokyo. This element in the script sparks off a fanciful wandering strewn with unexpected meetings. First with Kitagawa, thanks to whom Sakaguchi landed the job. Then with a seamstress, and then with Yoshino, with whom a half-hearted romance emerges. Thus the narrative unfolds, in halts and swerves, espousing unexpected meetings, and offering the strolling character an opportunity for displacements from one place to the next. The deserted town has come to a standstill – the shooting took place during the lockdown – and this acts as a metaphor for the idleness of the characters. Garden Sandbox is light and nimble, whereas its main character hasa limp. Her demeanour and her stiff body exude a peculiar quality, somewhat comically at odds with the setting. Apathetically playing along, the young woman gleans from each character some pieces of information about the town and, then, touch by touch she delineates its picture: ultimately, the place comes acrossas a post-industrial locale whose foundries are now obsolete. Sakaguchi’s very meanderings lead her to a rich family’s house for a sewing lesson. In this pivotal scene, the lady of the house invites her to don an upper-class wedding dress. Through a gesture both radical and powerful, which itself informs the dynamic of the film as a whole, a gleeful snip of the scissors transforms the item of clothing into the ultimate chic of haute-couture design. What weaves together this truant escape whose motifs and fabric seem inspired by Jacques Rozier’s films, a crumbling industrial heritage and the transforming of a traditional wedding dress? With Garden Sandbox, whose title is a reference to the type of sand used in the foundries, joyfully and playfully, Yukinori Kurokawa interrogates the concepts of mutation and (re)use as sources of boundless possibilities. (Claire Lasolle)
 

评论:

  • 莲帆 5小时前 :

    首先情怀让我给高分。

  • 蓝曼文 2小时前 :

    一个现实中很沉重的中年话题故事被讲述得有趣又好笑,但是又不失苦涩感。第一次看天海佑希演这种被生活折磨得焦头烂额的中年女性,非常惊喜。

  • 紫沛 7小时前 :

    又是末世抵抗剧情,编剧能不能整点新东西出来啊。不过全员回归真的嗨

  • 珊云 1小时前 :

    我爱结婚鸟 谢谢刀子 我死了 感觉结局能接受 我也很喜欢 但是还是哭傻了

  • 稷晨 9小时前 :

    映司全场工具人,缺少刻画,但是这皮套太帅了

  • 钱婵娟 1小时前 :

    综合:7.6

  • 雅采 0小时前 :

    周年纪念作品,皮套和特效以及全员回归是真的很有诚意,但时长太短了,打戏文戏都短,而且作为真结局真的要用一个be去代替另一个be吗?我不理解

  • 栋逸 3小时前 :

    一星给剧本,两星给情怀。扣一星给实际效果,扣一星给刀。

  • 穆乐咏 2小时前 :

    除了这点以外我个人还是很喜欢这个故事的…感觉和dbx想的一样是符合映司的终局……真的很喜欢…大半夜哭得像傻逼……

  • 金灵萱 1小时前 :

    烂到流汤这样的电影也能被称为剧场版吗?时长短就不说了,剧情拉垮演员演技堪忧,皮套都是些老皮套,拿来拿来凑情怀的。强行贩卖情怀打高分的,估计就只是单纯的冲这个名字去的。

  • 漫雅安 4小时前 :

    我觉得挺好的啊,能有这时长我满足了,而且映司这么好的一个人也不可能忍受自己变成greed活着吧,ahnk真的算是他所有欲望中的私心了,看到小女孩死去也对应了一开始映司没拯救小女孩开始流浪,他终于靠自己的力量拯救了一次他想拯救的,所以他无憾了,谢谢渡部秀,你真的是最好的火野映司

  • 殴鹏翼 6小时前 :

    说实话就放出来的内容来说它质量不算差,演员演技在线,镜头和台词还有桥段情怀满分,但是其他方面真的是...复活的原因没讲明白,四个小boss死的也莫名其妙,反派皮套是直接缝合出来的又丑又敷衍,骑士常见的战力崩坏:主角按理说身体里藏着恐龙硬币是半个不死身 剧场版弄到了异魔神修卡联组、爬虫联组、未来联组闭眼睛打都难输结果开局就躺了?

  • 韶曼卉 0小时前 :

    3蛋是平成新十年我第一个追的骑士,也是最爱的骑士之一,看到卡司们重聚拍摄,确实是开心的事,可是东映没有心啊,情怀也不是给你这么糟践的,不仅时长都凑不到标准的90分钟,连剧本都一塌糊涂,不会拍,你可以不拍。

  • 骞驰 3小时前 :

    太敷衍了,不写悲剧能死吗?高田里穗是越来越好看了

  • 翁从雪 5小时前 :

    并且在比奈牵Ankh手的那一块皮套都烂了,想圈钱好歹拿出点诚意来吧?

  • 阮素华 5小时前 :

    什么结婚鸟啊 o(╥﹏╥)o

  • 营冰真 6小时前 :

    两年前以为结局在时王,结果时王烂了

  • 表元瑶 8小时前 :

    为了回归而回归,一点诚意都没有,妥妥的消费

  • 武念云 1小时前 :

    想给演员们打五星,但是我做不到忽视剧情。烂编剧!让人疯!

  • 牵若雁 9小时前 :

    太短了吧,剧情也烂,新的两个连组也没正经用OOO变

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