Haunted by the memory of Walter Holderlin, a soldier he killed during World War I, French musician Paul Renard (Phillips Holmes) confesses to a priest (Frank Sheridan), who grants him absolution. Using the address on a letter he found on the dead man's body, Paul then travels to Germany to find his family.
As anti-French sentiment continues to permeate Germany, Dr. Holderlin (Lionel Barrymore) initially refuses to welcome Paul into his home, but changes his mind when his son's fiancée Elsa identifies him as the man who has been leaving flowers on Walter's grave. Rather than reveal the real connection between them, Paul tells the Holderlin family he was a friend of their son, who attended the same musical conservatory he did.
Although the hostile townspeople and local gossips disapprove, the Holderlins befriend Paul, who finds himself falling in love with Elsa (Nancy Carroll). When she shows Paul her former fiancé's bedroom, he becomes distraught and tells her the truth. She convinces him not to confess to Walter's parents, who have embraced him as their second son, and Paul agrees to forego easing his conscience and stays with his adopted family. Dr. Holderlin presents Walter's violin to Paul, who plays it while Elsa accompanies him on the piano.
The film's original title, The Man I Killed, was changed to The Fifth Commandment to avoid giving "wrong impressions in the minds of the public about the character of the story." It ultimately was released as Broken Lullaby.
把女主的人物设定改得很差，女主演得也很尬，太做作，没演技
居然用模仿犯这一招来延续剧情，不能说坏，也不是很巧妙的方法。
观看于西安，北京两地。废话加血浆，带走浓厚的迷影风格。
好久没有出现能打动我的故事了，推土机算一个
恐怖片生存法则与现实结合完美，揭秘的过程中吐槽了一堆IP续作重启花式扑街（如绝命圣诞夜、鬼娃回魂、月光光心慌慌、电锯惊魂、终结者、侏罗纪公园、捉鬼敢死队、星球大战等，这个揶揄的桥段非常Cute），退休警长纯粹是工具人领便当，坏蛋依然死于话太多，全智能家居安防系统你值得拥有。
已看过最差的一部奥斯汀改编影视剧，太伤人了！女主的独白不知为什么让我频频跳戏…总不由自主想到死侍…对待感情太冷静太客观很无所谓的样子，不知道的还以为女主是现代人穿书了~看男主的海报也挺帅的，在电影里不知怎么得罪了造型还是化妆师，一言难尽，几个男配都比他美。幸好演技加持，还能有一点心动…必须再看小说和07版洗洗眼睛，确保奥斯汀小说在我心目中的原样不被贬损。
竟然跟《矩阵重启》一个套路，只不过玩得更无聊一点。P.S.Melissa Barrera跟Morena Baccarin好像，仿佛又一种“自我参照”。
尽管被拍成了《布里奇顿》式的劝导，但是好看啊，没有过分的克制，误解，好事多磨。场面调度有点《镀金时代》。
血腥程度升级。但是，双杀手的人，太容易被猜到了。续集回到原版的吐槽，有趣一些。杜威的死，意想不到。
绝对不要下跪，绝对不要后退，绝对要带着一起下地狱。
So fucking boring and stupid！别再拍了！前有德州电锯杀人狂稀烂的续集，紧接着又来了个这个，还好意思把以前的演员请来？！
这是我看的第一版《劝导》，小说和之前的版本都没看过，所以并未感受到有太多改编上的不适宜性。电影来说，我是喜欢的，包括选角，越发喜欢达科塔约翰逊了。小说后续补上，不知道简奥斯汀所描述的世界又是什么样子的。(>^ω^<)
超喜欢达妹 但是更喜欢她在恰恰丝滑里面那种味道，英国小说咱还是老老实实找英伦玫瑰来演好不啦👾😼
对着镜头讲话不太适合简奥斯丁的片子，太现代了…
绝对不要下跪，绝对不要后退，绝对要带着一起下地狱。
本来就是看达科塔约翰逊的，看完发现简奥斯汀那些东西用这种现代诙谐方式拍居然可以把狗血溶解到幽默里就很神奇。Anne是克制、内敛、理性的，怎么可能开场就是酗酒！！！
沉溺于反转，讽刺浮于表面，而不再内化于类型和结构，结尾的抖机灵和存活者设置就像是老去的slasher类型在对属于gen Z的elevated horror举手投降，气息奄奄、彻底过时。
势单力薄的少女家长与这个肮脏社会的对抗 也许她的父亲不是个好人 但在这件事中他是受害者 有时候会想这种倔强到近乎愚蠢的一腔孤勇到底是不是无用 但这就是女主处理问题的方式 影片塑造了一个个性鲜明的角色 但也仅限于此了
前面setup还挺无聊的，好在最后一幕有爽一下。其实不管怎么自我解读续集、衍生都是白费，不如就在这一部结束吧！I still prefer the Babadook!!
炒冷饭，又不是完全炒冷饭——大概就是所谓的Requel？
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