The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.
Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.
The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus ("The Church Is an Old House"), which was distributed to the members of the committee for their comments.
In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.
On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.
Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.
The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.
新女主能力太强了，有点过分了。期待新老女主在第三部相遇。
麻烦说中文的时候还是配个音吧，听的我难受……
第一部其实也不是特别好，唯一看点就是动作戏。而为了铺垫再反转，剧情先抑后扬，虽然节奏拖沓但能接受，而这一部，不但有上一部的缺点，还把动作戏删改成意念控制，光有特效那还看个der，背景还设定在黑夜，拍近身搏斗镜头又莫名偏移，第一部的耍酷到了第二部尬成了装X，泡菜味的中文也只能骗骗不懂普通话的韩国人。拍的很好，下部别拍了。
1. 人菜瘾大的装b小分队那几段尬翻的蹩脚中文大可不必，非要说的话能不能找个配音？
在无可选择的情况下，也算能看得过去，朴勋政这次没有很发挥，唯一启用大量年轻演员还行the other one，加个母亲，第三部看样子必须出
新演員可能還在發聲練習的階段，要他們說中文。呃……
这女主更离谱，
太拖沓，感觉一半以上的剧情不需要存在，中文更加是大可不必，尬死！
虽然和第一部在关系上没那么大，但故事模板还是一样的，套路还是那个套路，然后动作和能力设计的更加干脆。
三颗星，但特技着实 可以加一星，那尴尬到不行的中文不如不说。 片尾大战这战斗力，复联+正联 都不敢近身，欧美超英真是弱爆了，还得看 韩国赛亚人
剪辑混乱，不如第一部，期待的打斗场面太快，让我感觉像暮光之城的吸血鬼一样
上海来那波为什么那么爱戴口罩，一看就是最近两年抗疫习惯成自然。但是说中文这点，语气什么确实都努力在模仿了，但母语观众还是太出戏了。一点都不酷了😂。最强女主只靠意念就大杀四方也有点不够看，这还有啥意思。另外，除非扭掉头才能死透透，这是人造吸血鬼吗？故事线太简单了，看后续吧。但是拍成剧集可能更合适，电影太慢了。
有点雷同，剧情有点扯，有点太神乎其神，人设要是有点软肋会更好。
两部连着看，感觉还好，感觉是同一个剧情的两种不同发展。但如果是等了4年的，这就纯粹是诈骗了。剧情越来越夸张，第二部遍地SSR。看完最喜欢女佣兵队长。
乱七八糟 这都是啥啊 那几个说中文的韩国人是什么意思 一堆变异人跟正常人打架然后团灭了 就打来打去 不懂电影在讲啥……
这确实是魔女的升级版没错了。
没第一部有意思……bug妹妹一出来，就会变的贫乏。偶尔有几个角度像赵露思，还可以。还有棒子说中国话太糟糕了，也别把中国人搞得那么变态嗜血成么？倒胃口傻逼
看来还有第三部，但第二部真的不怎么样。
下一部他妈是不是可以和惊奇队长肩并肩冲出宇宙了……微笑。武力值离大埔，数次跳戏到暮光之城里吸血鬼狼人大战……
装逼失败！上海土偶讲中文我也就忍了，后来发现他们彻底来搞笑的，这种身经百战的杀人机器也会怕死？
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