The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
故事不复杂,
是我看不了爱情片了吗...好无聊。中间反转不错,没亲上的初吻我还挺喜欢的。
允儿好美,姐弟情好感人,有好几次差点看哭,天才少年,要加油啊!
Waititi出现的时候我惊了hhh 但是电影实在太无聊了这比昨天那个first world problem还没意思(戛纳嫡系就是比电视导演强啊) 竟然看到了sex education的Aimee Lou Wood 她实在太像装了假牙的felicity jones了
剧本节奏太慢,没什么喜剧冲突,15分钟弃剧。
3.5 人间美好留不住。但这类处处都要点到的传记片还是有些流水线了,画面上有迷人的地方。
原来那是林允儿,让我想到了《继承者们》里面的李宝娜
' You are a prism.Through which that beam of life refracts. ' ' You can run away from your family,Louis.You cannot run away from your grief.It trails you.Like a violent shadow. '
面对几乎无法抬头的不间断的人生打击,还要从生活里发现美,是爱的力量。
我鹅的初恋感绝了,电影总体剧情通顺,主要是老婆太好看了
C / 很一般 “奇迹”立意太高 结构有点偏混乱 叙事太散 也不是完全集中在"车站"的故事上 更像一个数学天才的传记电影
中规中矩韩式编剧写作思路…该有的都走了,冲突,和解。
人物塑造的不够立体,靠演员和舞美留住观众不退场
本尼又一次演绎了天才疯子,画画是一种救赎与发泄。
画面超级美,像香水广告那么美!一段短暂而美好的爱情,一场无解又曲折的生活,养猫人士大概更能get那种表情全无,但内心无比丰富的人吧,唉,还好有猫,互为了解,又互不打扰。
很平庸的剧本也很平庸的电影,允儿很好看也不能掩盖选角年龄偏大了——韩国拍这种类型片真的不是强项,总感觉情绪只有放没有收,还是中国和日本拍这种片子好的多。
别再说中规中矩了,心甘情愿承认诸如此类的传记片拍了和没拍一样,故事叙述本身可能还不如公众号文字灵巧生动,虚情假意的情感还要往猫身上靠,二者联系如此单薄无力,对演员也没有任何加成。没必要,就是没必要。
When it comes to drawing, there's only one rule, you ever need to teach. It's to look.
一切,就甜甜地结束吧!!!爱吃糖,不吃刀~让我们向往甜美生活!
哪里是什么激情人生呀,明明是抑郁人生!猫,成了社会秩序压抑的承载者。
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